Delftware

デルフト焼 / 1600s– / Style / Ceramic Styles

Longing for Chinese porcelain, Delft produced tin-glazed pottery of its own. Windmills, ships and Eastern scenes painted in blue alone fixed 'blue and white' as a Western language of table and room, chinoiserie put into practice.

Delftware — Delftware plate c. 1760 (CC0)
Delftware plate c. 1760 (CC0) · CC0
Delftware — Delft flower pyramid c. 1695 (V&A) — Wikimedia Commons / Public domain
Delft flower pyramid c. 1695 (V&A) — Wikimedia Commons / Public domain

At a glance

Visual cues

  • Painting in blue alone
  • White tin-glaze ground
  • Eastern motifs translated
  • From tiles to tableware

Best used for

  • Pulling tableware and walls into one room through blue painting alone
  • Using Eastern motifs while admitting openly that they are translations

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Dictionary entry

Type
Keep marks small on the underside and leave the face to painting
Composition
Let each tile stand alone, with corner motifs linking them into a field
Material
Cobalt on white tin glaze, painted in one pass with no correction
Caution
Aiming to pass as real porcelain turns the thick earthenware body and the speed of the brush from virtues into faults.
Further study
from imitating Jingdezhen to a style of its own / Delft tiles / Royal Delft today

Related entries

Often confused with

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Continue through styles in the same Ceramic Styles family, prioritised by shared effects.

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https://indexstyle.org/styles/delftware
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