ITC Style vs Swiss Punk Typography

ITC様式 / スイス・パンク・タイポグラフィ

ITC Style comes from Type Classification and Swiss Punk Typography from Experimental Typography. They are reached for with some of the same intent, which is where they get confused.

ITC Style

New York in the phototype era produced a style of huge x-heights and tightly packed settings. Lubalin's conceptual typography and U&lc magazine staged letters as pictures and gave the period its face.

Swiss Punk Typography

In Basel, the home of Swiss style, Weingart took the grid apart from the inside. Exploded letterspacing, stepped settings and layered film exposures turned rebellion within discipline into New Wave typography.

ITC StyleSwiss Punk Typography
Era1970s–1980s1970s–1980s
FamilyType ClassificationExperimental Typography
KindStyleStyle
CuesHuge x-heights / Tight-not-touching settings / Swashes and ligatures on stage / Letters as imageThe grid dismantled / Exploding letterspacing / Stepped compositions / Layered-film textures
Best used forMagazine feature openers where the headline itself must stand as an image · Cosmetics and music advertising giving the shape of a word gloss and liftAnnouncements for experimental music and art that show the discipline breaking · School and studio publications where the method itself is the subject
TypeA large x-height face packed tight, with ligatures and swashes worked inLetterspacing opened in steps, one word repeated at several sizes
CompositionThe headline massed into a few lines, leading closed to make one shapeKeep the grid visible while stepping the lines, measuring every offset
MaterialPrinted as flat color on glossy stock that tightens the letter edgesLayered exposures building halftone and reversal through the film
CautionTracking pushed until the letters touch turns the line into pattern rather than reading and the headline stops working.Breaking a grid you never built leaves the offsets nothing to measure against, so the rebellion within discipline never happens and only mess remains.

IndexStyle