Experimental Type vs Swiss
実験的タイポグラフィ / スイス・スタイル
Experimental Type comes from Avant-garde and Swiss from Functionalism. Both are read here as style. They are reached for with different intent, which is the fastest way to tell them apart.
Experimental Type
Pushes letters from something read toward something seen and felt.
Swiss
Puts order front and center and makes the information itself the protagonist.
| Experimental Type | Swiss | |
|---|---|---|
| Era | 1980s– | 1950s– |
| Family | Avant-garde | Functionalism |
| Kind | Style | Style |
| Cues | Distorted letterforms / Overlaps / Extreme letterspacing / Tension with legibility | Strict grid / Sans-serif type / Asymmetry / Objective photography |
| Best used for | Making the title itself the visual · Breaking déjà vu in music and culture | Making complex information fast to read · Giving an organization rationality and transparency |
| Type | Variable, stretched, dismantled — support with a plain text face | Neutral sans-serif; be bold with size contrast |
| Composition | Run type to the edges and partially conceal it | 12-column grid, left-aligned, asymmetric |
| Material | Monochrome plus one color; warps and scanlines | White space and objective photographs; almost no ornament |
| Caution | Break everything and the way in disappears. Always keep one readable layer. | Too much tidiness turns anonymous. Keep one strong jump in scale. |



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