把风格叠在一起

不是把几种风格调成中间值,而是分配角色。第一个负责结构,第二个作为点缀出现,其余的只落在某一处细节上。相冲的地方,动手之前先说清楚。

如何分工

构图
遵循Swiss。12栏网格,左对齐,非对称
字体
文字按Swiss的手法来排(中性的无衬线体,字号对比要大胆),Memphis的字(偏粗的几何无衬线体)只放在想让视线停住的那一处。
材料
材料以Swiss为底(留白与客观摄影,几乎不放装饰),从Memphis只取来一样(粉红、黄、青绿、黑色斑点)。
色彩
以#f1efe8, #ed3b22, #121210为底,点缀色只从#f5cfda, #f4c62f, #2a9e9a里取一个。

相冲之处

  • Swiss和Memphis没有共同的意图。不要把这个差别抹平,把差别本身当成主题。

注意

  • Swiss 过于齐整就会失去个性,只留下一处强烈的尺度落差。
  • Memphis 不要只停在背景花纹上,要让图形与导航和信息单元一一对应。

图像提示词

Produce four original images that take their structure from Swiss (style, 1950s–) and their accent from Memphis (style, 1980s). ## What to make Make the kind of thing Swiss exists for: making complex information fast to read, or giving an organization rationality and transparency. Choose one subject and hold it across all four. ## Structure comes from Swiss - Strict grid - Sans-serif type - Asymmetry - Objective photography Composition: 12-column grid, left-aligned, asymmetric. Type and lettering: Neutral sans-serif; be bold with size contrast. ## Accent comes from Memphis, used sparingly - Zigzags - Small figures - Pastel plus primary - Speckles Let one material quality come from it: Pink, yellow, teal, black speckles. ## Colour and feeling Build the ground on #f1efe8, carry the structure in #ed3b22 and #121210, and let a single accent come from #f4c62f. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: trust, calm, play, exhilaration. ## Where they fight - Swiss和Memphis没有共同的意图。不要把这个差别抹平,把差别本身当成主题。 ## What goes wrong - Swiss: 过于齐整就会失去个性,只留下一处强烈的尺度落差. - Memphis: 不要只停在背景花纹上,要让图形与导航和信息单元一一对应. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.

相关词条

  • Swiss 1950s– / 风格 / 功能主义

    把秩序推到最前面,让信息本身成为主角。

  • Memphis 1980s / 风格 / 波普

    一笑置之地抛开功能主义,享受形与色的不谐。

把这个组合发出去:
https://indexstyle.org/zh/compose?ids=swiss+memphis

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