Typology Photography
タイポロジー写真 / 1959– / Style / Photography Movements
The Bechers' method of shooting one kind of structure under identical conditions and hanging the results in a grid. Repetition under overcast light, dead-on and without people, turns individuals into types, and by way of the Düsseldorf school it became a grammar of contemporary photography.



At a glance
Visual cues
- Grid presentation
- Even overcast light
- Strict frontality
- Typification through repetition
Best used for
- Surveys recording one class of facility or equipment so they can be compared
- Laying out a collection or product range so only the differences show
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Dictionary entry
- Type
- Lettering kept outside the frame, place and date in one format throughout
- Composition
- An even grid with the subject held at the same size in every frame
- Material
- Frontal shooting under flat overcast light, focal length and height fixed
- Caution
- Hanging pictures made under different light and angles turns those differences into the subject, and the variation between objects disappears.
- Further study
- the Bechers' water towers / the Düsseldorf academy / Gursky, Struth and Ruff
Related entries
- New Topographics (ニュー・トポグラフィックス)Same Photography Movements lineage.Compare Typology Photography and New Topographics
- New Objectivity Photography (新即物主義写真)Same Photography Movements lineage.Compare Typology Photography and New Objectivity Photography
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Browse all Photography Movements entries
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