Brussels Style

ブリュッセル様式 / 1958–1960s / Style / Postwar Industrial Design

The bright socialist-bloc modernism named for Czechoslovakia's triumph at Expo 58: asymmetric curves, thin splayed legs and atomic patterns spreading thaw-era optimism from housewares to animation.

Brussels Style — AI-generated interpretation 1
AI-generated interpretation, not a reference work
Brussels Style — Jaroslav Ježek, Elka porcelain set (photo Jan Jeništa) — Wikimedia Commons / CC BY 2.5
Jaroslav Ježek, Elka porcelain set (photo Jan Jeništa) — Wikimedia Commons / CC BY 2.5 · CC BY 2.5
Brussels Style — Plastic bowl in the Brussels style (photo Jenikjejenjeden) — Wikimedia Commons / CC BY-SA 3.0
Plastic bowl in the Brussels style (photo Jenikjejenjeden) — Wikimedia Commons / CC BY-SA 3.0 · CC BY-SA 3.0

At a glance

Visual cues

  • Asymmetric organic curves
  • Thin splayed legs
  • Atom and star patterns
  • Pastel against black

Best used for

  • Exhibition and broadcast design built on postwar optimism
  • Unifying housewares and screen graphics under one vocabulary of curves

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Dictionary entry

Type
Light hand-drawn sans headlines, set at a tilt
Composition
Compose off center and run diagonal movement through the white space
Material
Pastel fields with fine black line, splayed legs and atom motifs
Caution
Pasting on atom motifs and thin legs leaves it indistinguishable from Western mid-century modern, and the thaw era brightness never arrives.
Further study
the Czechoslovak pavilion at Expo 58 / Laterna Magika / consumer culture in the socialist bloc

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