Compose styles
Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.
How to divide the work
- Composition
- Follow Ghost Signs: Do not dodge joints or openings, aligning letters to the brick coursing
- Type
- Set in Ghost Signs's manner (Redraw period shop lettering by hand, with shadowed letters and ornament rules), and let Victorian Ornament's lettering (Ornamented serifs and small capitals) appear only where you want the eye to catch.
- Material
- Ground in Ghost Signs's material (Brushed straight onto brick, assuming the least stable colors fade first); bring in exactly one thing from Victorian Ornament (Deep red, green, gold, cream; repeat hairlines in steps).
- Colour
- Build on #a3988a, #7f3b27, #241a18 and admit one accent from #761f2e, #294f3b, #d6aa55.
Where they fight
These are already listed as related entries, so the join should come easily.
Caution
- Ghost Signs Applying an even wash of distress falsifies the direction of fading and the order of overpainting, and the intended age reads as fake.
- Victorian Ornament Never mix other cultures' patterns as anonymous ornament. Research origins; quote precisely.
Image prompt
Produce four original images that take their structure from Ghost Signs (style, 1880s–1950s / rediscovery) and their accent from Victorian Ornament (style, 1837–1901). ## What to make Make the kind of thing Ghost Signs exists for: treating the traces on an existing wall as design in a renovation, or painting a new sign on an old building with the texture of accumulated time. Choose one subject and hold it across all four. ## Structure comes from Ghost Signs - Paint applied straight to brick - Fading and peeling - Craftsman lettering - Layers of overpainting Composition: Do not dodge joints or openings, aligning letters to the brick coursing. Type and lettering: Redraw period shop lettering by hand, with shadowed letters and ornament rules. ## Accent comes from Victorian Ornament, used sparingly - Dense borders - Symmetry - Botanical pattern - Chromolithography Let one material quality come from it: Deep red, green, gold, cream; repeat hairlines in steps. ## Colour and feeling Build the ground on #a3988a, carry the structure in #7f3b27 and #241a18, and let a single accent come from #294f3b. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: nostalgia, intimacy, calm, luxury, exhilaration. ## What goes wrong - Ghost Signs: Applying an even wash of distress falsifies the direction of fading and the order of overpainting, and the intended age reads as fake. - Victorian Ornament: Never mix other cultures' patterns as anonymous ornament. Research origins; quote precisely. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.
Related entries
- Ghost Signs 1880s–1950s / rediscovery / Style / Signage and Display
Hand-painted brick-wall advertisements faded by weather. The lettering of the craftsmen called wall dogs, through peeling and fading, is being rediscovered as a stratum of urban memory.
- Victorian Ornament 1837–1901 / Style / Ornament
Builds a thickly layered system of ornament from many revival styles and the riches of industrial printing.
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