Compose styles
Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.
How to divide the work
- Composition
- Follow French Formal Garden: Run one axis from the building center and mirror everything across it
- Type
- Set in French Formal Garden's manner (Inscriptions and statue titles sit on the axis, paired left and right), and let Parterre's lettering (Keep the arabesque one constant width, set its crossings first) appear only where you want the eye to catch.
- Material
- Ground in French Formal Garden's material (Clip to a level line and use water as a mirror for the sky); bring in exactly one thing from Parterre (Clipped box as line, gravel, turf and sand as ground colors).
- Colour
- Build on #dbc9b2, #35413a, #0f1411 and admit one accent from #bdb0a4, #548b2a, #1e351a.
Where they fight
- French Formal Garden and Parterre both belong to Garden Styles, so the difference is small. Push the roles further apart than feels comfortable.
Caution
- French Formal Garden Axis and symmetry get copied without designing the recession, and with no budget for the labor of clipping, the outlines slacken within a few years.
- Parterre Placed where nobody can look down on it, the pattern never reads and only expensive clipping remains, its point entirely lost.
Image prompt
Produce four original images that take their structure from French Formal Garden (style, 17th century–) and their accent from Parterre (layout, 17th century–). ## What to make Make the kind of thing French Formal Garden exists for: forecourts that state the standing of the building behind them, or squares and courts meant to be seen from an upper storey. Choose one subject and hold it across all four. ## Structure comes from French Formal Garden - Axes running to the vanishing point - Strict symmetry - Clipped geometry - Water mirrors and the grand canal Composition: Run one axis from the building center and mirror everything across it. Type and lettering: Inscriptions and statue titles sit on the axis, paired left and right. ## Accent comes from Parterre, used sparingly - Box arabesques - Gravel and turf as ground colors - Made for the view from above - Symmetrical development Let one material quality come from it: Clipped box as line, gravel, turf and sand as ground colors. ## Colour and feeling Build the ground on #dbc9b2, carry the structure in #35413a and #0f1411, and let a single accent come from #548b2a. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: luxury, trust, exhilaration, calm, play. ## Where they fight - French Formal Garden and Parterre both belong to Garden Styles, so the difference is small. Push the roles further apart than feels comfortable. ## What goes wrong - French Formal Garden: Axis and symmetry get copied without designing the recession, and with no budget for the labor of clipping, the outlines slacken within a few years. - Parterre: Placed where nobody can look down on it, the pattern never reads and only expensive clipping remains, its point entirely lost. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.
Related entries
- French Formal Garden 17th century– / Style / Garden Styles
The garden of axis, symmetry and perspective that Le Nôtre perfected at Versailles. Shears and sheets of water discipline nature into geometry, and power becomes visible as spatial order.
- Parterre 17th century– / Layout / Garden Styles
A flat bed in which clipped box embroiders arabesques into the ground. It was designed to be looked down on from the floors above, turning the ground into ornament and gardening into graphic design.
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