Compose two styles

Rather than blending two styles into a middle, this assigns them roles: one carries the structure, the other appears as an accent. Where the two fight, it says so before you start.

How to divide the work

Composition
Follow Bogolanfini: Divide the cloth into bands, changing the geometric unit per band
Type
Set in Bogolanfini's manner (Skip lettering, embed signs as members of the pattern itself), and let Kente's lettering (Keep any lettering inside a strip width, aligned with the weave) appear only where you want the eye to catch.
Material
Ground in Bogolanfini's material (Plant dye ground, fermented mud drawn on to split black from cream); bring in exactly one thing from Kente (Gold, red and green adjacent at full chroma, edges held by black).
Colour
Build on #e9e6dd, #67635d, #171615 and admit one accent from #e9e6dd, #67635d, #171615.

Where they fight

  • Both belong to Textile Traditions, so the difference is small. Push the roles further apart than feels comfortable.

Caution

  • Bogolanfini Printing the mud cloth motifs removes the bleeding and tonal variation that the dye and iron reaction produces, and with it the reason each cloth is unique.
  • Kente Rearranging named, meaningful patterns as if they were a color swatch removes the very premise that wearing the cloth is a statement.

Image prompt

An original image that takes its structure from Bogolanfini (Technique, traditional–present) and its accent from Kente (Style, 17th century–). Structural cues: Mud-dyed black and cream; Hand-drawn geometry; Signs that tell stories; Each cloth unique. Accent cues, used sparingly: Strips sewn into cloth; High-key gold, red, green; Named patterns; Ceremonial dress. Composition: Divide the cloth into bands, changing the geometric unit per band. Type and lettering: Skip lettering, embed signs as members of the pattern itself. Let one material quality come from the second style: Gold, red and green adjacent at full chroma, edges held by black. Mood: Intimacy, Trust, Nostalgia, Exhilaration, Luxury. Color: build on #e9e6dd, #67635d, #171615 with a single accent drawn from #e9e6dd, #67635d, #171615. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.

Related entries

  • Bogolanfini traditional–present / Technique / Textile Traditions

    Bamana cloth from Mali is drawn with fermented river mud. Iron reacting with plant dye yields a black-and-cream geometry that records story and protection.

  • Kente 17th century– / Style / Textile Traditions

    The strip-woven cloth of Ghana's Asante and Ewe gives every color and every pattern a name and a meaning, so that wearing it makes a statement.

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