Compose styles
Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.
How to divide the work
- Composition
- Follow Bauhaus: Treat shapes and letters as the same building blocks
- Type
- Set in Bauhaus's manner (Geometric sans-serif), and let De Stijl's lettering (A rectilinear sans; treat letters as rectangles too) appear only where you want the eye to catch.
- Material
- Ground in Bauhaus's material (Red, blue and yellow held together by black and off-white); bring in exactly one thing from De Stijl (White, black, primaries; ration the colored planes).
- Colour
- Build on #eee7d4, #df2c22, #153f8c and admit one accent from #f2efe2, #d53225, #1f4b93.
Where they fight
These are already listed as related entries, so the join should come easily.
Caution
- Bauhaus Scattered shapes read as childish. Give every element a job.
- De Stijl Not just red-blue-yellow squares. Design the ratios and the asymmetric balance.
Image prompt
Produce four original images that take their structure from Bauhaus (style, 1919–1933) and their accent from De Stijl (style, 1917–1931). ## What to make Make the kind of thing Bauhaus exists for: giving an idea a clear, legible form, or bringing intelligence and warmth to education and culture. Choose one subject and hold it across all four. ## Structure comes from Bauhaus - Elementary shapes - Primary colors - Functional beauty - Visible structure Composition: Treat shapes and letters as the same building blocks. Type and lettering: Geometric sans-serif. ## Accent comes from De Stijl, used sparingly - Vertical and horizontal - Red, blue, yellow - White planes - Asymmetric equilibrium Let one material quality come from it: White, black, primaries; ration the colored planes. ## Colour and feeling Build the ground on #eee7d4, carry the structure in #df2c22 and #153f8c, and let a single accent come from #d53225. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: trust, play, calm, technique. ## What goes wrong - Bauhaus: Scattered shapes read as childish. Give every element a job. - De Stijl: Not just red-blue-yellow squares. Design the ratios and the asymmetric balance. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.
Related entries
- Bauhaus 1919–1933 / Style / Functionalism
Makes function and play coexist through the circle, triangle and square.
- De Stijl 1917–1931 / Style / Geometric Abstraction
Restricts the vocabulary to vertical, horizontal and primary color, building universal order from balance.
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