Compose two styles

Rather than blending two styles into a middle, this assigns them roles: one carries the structure, the other appears as an accent. Where the two fight, it says so before you start.

How to divide the work

Composition
Follow Artist’s Book: Compose page by page rather than by the spread
Type
Set in Artist’s Book's manner (Keep text sparse and hold its position so turning has a beat), and let Photobook's lettering (Gather the writing at the front or back, keeping captions out of the flow.) appear only where you want the eye to catch.
Material
Ground in Artist’s Book's material (Paper weight and opacity, the binding, the edges, the weight in hand); bring in exactly one thing from Photobook (Choose paper weight and tone, format, and how flat the binding opens.).
Colour
Build on #e7e0d3, #9f493c, #2b2925 and admit one accent from #e8e4da, #857d70, #242321.

Where they fight

  • Both belong to Publishing and Editing, so the difference is small. Push the roles further apart than feels comfortable.
  • Roughly 1941 years apart. Keep one of them recognisably period rather than letting both drift into the middle.

Caution

  • Artist’s Book Printing the work neatly in sequence gives neither the order nor the touch any role, and the result falls back into being a catalogue.
  • Photobook Selecting good photographs without working the order gives a stack and no arc, and readers stop halfway. Design how the time of turning pages and the paper and format change the meaning.

Image prompt

An original image that takes its structure from Artist’s Book (Technique, 1960s–) and its accent from Photobook (Layout, 19th century–). Structural cues: The book as matter; Sequential pages; Self-publishing; Reader interaction. Accent cues, used sparingly: Photographic sequence; Spreads; Repetition and pause; The book as matter. Composition: Compose page by page rather than by the spread. Type and lettering: Keep text sparse and hold its position so turning has a beat. Let one material quality come from the second style: Choose paper weight and tone, format, and how flat the binding opens.. Mood: Intimacy, Rebellion, Calm, Luxury. Color: build on #e7e0d3, #9f493c, #2b2925 with a single accent drawn from #e8e4da, #857d70, #242321. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.

Related entries

  • Artist’s Book 1960s– / Technique / Publishing and Editing

    Designs the book as the work rather than its container, counting the binding, the sequence, the paper, the repetitions and the reader's handling as part of it.

  • Photobook 19th century– / Layout / Publishing and Editing

    Builds its visual narrative across the whole book rather than in single photographs, working with sequence, spreads, margins, text, paper and format.

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