Compose styles
Rather than blending styles toward a middle, this gives them roles. The first one carries the structure, the next comes in as the accent, and anything after that shows up in a single detail. Where they fight each other, it says so before you start.
How to divide the work
- Composition
- Follow Abstract Expressionism: Refuse a center and carry stroke density to every edge
- Type
- Set in Abstract Expressionism's manner (Keep words to a few and place them clear of the paint), and let Gutai's lettering (Keep records to date and act described, adding no meaning through a title) appear only where you want the eye to catch.
- Material
- Ground in Abstract Expressionism's material (Thick paint and poured washes on a large support, drips left visible); bring in exactly one thing from Gutai (Mud, paper, water, bulbs and paint, keeping the marks of tearing and treading).
- Colour
- Build on #ddd4c5, #8d5541, #252221 and admit one accent from #e6dfd1, #d84831, #25211f.
Where they fight
These are already listed as related entries, so the join should come easily.
Caution
- Abstract Expressionism Scattering energetic strokes as decoration skips each artist's method, the postwar politics and the tie between scale and body, and with neither density nor a record of decisions it reads as a dirty backdrop.
- Gutai Restaging the physical gesture without responding to what the material does leaves only spectacle. Read the thought behind it, postwar Japan, the autonomy of material and the audience taking part.
Image prompt
Produce four original images that take their structure from Abstract Expressionism (style, 1940s–1950s) and their accent from Gutai (style, 1954–1972). ## What to make Make the kind of thing Abstract Expressionism exists for: key visuals for concerts and theatre where emotional intensity has to arrive first, or book covers where one huge abstract ground carries the title alone. Choose one subject and hold it across all four. ## Structure comes from Abstract Expressionism - Vast canvases - Bodily brushwork - All-over composition - Drips and stains Composition: Refuse a center and carry stroke density to every edge. Type and lettering: Keep words to a few and place them clear of the paint. ## Accent comes from Gutai, used sparingly - Body colliding with material - Outdoor exhibitions - Tearing, throwing, treading - Participation and play Let one material quality come from it: Mud, paper, water, bulbs and paint, keeping the marks of tearing and treading. ## Colour and feeling Build the ground on #ddd4c5, carry the structure in #8d5541 and #252221, and let a single accent come from #d84831. These are read off real works, so a direction rather than a fixed palette. Feeling to carry: exhilaration, rebellion, calm, play. ## What goes wrong - Abstract Expressionism: Scattering energetic strokes as decoration skips each artist's method, the postwar politics and the tie between scale and body, and with neither density nor a record of decisions it reads as a dirty backdrop. - Gutai: Restaging the physical gesture without responding to what the material does leaves only spectacle. Read the thought behind it, postwar Japan, the autonomy of material and the audience taking part. ## Across the four Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture. ## Constraints - Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. - Do not reproduce the composition of an existing work. - Produce original compositions in the general period languages described above.
Related entries
- Abstract Expressionism 1940s–1950s / Style / Postwar American Art
On huge canvases, with bodily strokes, drips, stains and broad fields of color, what stays on the surface is the act of painting and strong inner feeling rather than a depicted subject.
- Gutai 1954–1972 / Style / Japanese Postwar Avant-garde
Acts directly on body, mud, paper, water, smoke and light bulbs, making the work an event in which spirit does not master material and each exposes the nature of the other.
Share this composition:https://indexstyle.org/compose?ids=abstract-expressionism+gutai