Mola vs Tapa (Barkcloth)

モラ / タパ

Both sit in Textile Traditions, so the question is not what they belong to but how they behave. Both are read here as technique. They are reached for with some of the same intent, which is where they get confused.

Mola

Guna women in Panama make reverse appliqué. Layers of colored cloth are cut back and stitched down until every contour ripples in several lines, printmaking in fabric that is worn daily as the panels of a blouse.

Tapa (Barkcloth)

Across the Pacific islands, bark is beaten out into cloth. Geometric patterns stamped, drawn and smoked onto it serve as communal insignia in ritual and gift exchange, and every island keeps its own pattern system within this Pacific graphic language.

MolaTapa (Barkcloth)
Eralate 19th century–prehistory–
FamilyTextile TraditionsTextile Traditions
KindTechniqueTechnique
CuesLayered reverse appliqué / Multiple contour lines / Maze-like ground filling / Animals and geometryThe beaten texture of bark / Repeating geometric pattern / Earth-toned pigments / Great ceremonial sheets
Best used forBuilding an image in cloth where contour thickness itself does the work · Setting imagery into a garment meant to be worn every dayGreat sheets that serve as communal insignia in ceremony and gift exchange · Making island differences legible through repeating geometry alone
TypeRun several contours around the figure at even spacingTreat the motif unit as insignia and repeat one combination
CompositionCenter the main figure and fill the leftover ground with maze-like slitsDivide the whole sheet into a grid and run bands of changing pattern
MaterialStack colored cloths, cut down from the top, turn the edges and stitchBeaten and joined bark, earth pigments stamped, drawn and smoked in
CautionFewer layers and a single contour stop the color from emerging through the cuts, and the panel goes flat.Cutting the patterns loose from the island they belong to strips them of the insignia function and leaves only decoration.

IndexStyle