Lowbrow (Pop Surrealism) vs Skate Graphics

ローブロウ / スケートデッキ・グラフィック

Both sit in Illustration Styles, so the question is not what they belong to but how they behave. Both are read here as style. They are reached for with some of the same intent, which is where they get confused.

Lowbrow (Pop Surrealism)

Painting from outside the museum, schooled on hot rods, comics, tattoos and B movies. It renders pop memory in exacting oil technique, and Juxtapoz magazine gave it a home under the name Pop Surrealism.

Skate Graphics

Graphics made for the tall canvas of a deck's underside, drawn in the knowledge that grinding will wear them away. Bold outlines and horror-tinged exaggeration, typified by Phillips's Screaming Hand, built a heraldry for the street.

Lowbrow (Pop Surrealism)Skate Graphics
Era1979–1980s–
FamilyIllustration StylesIllustration Styles
KindStyleStyle
CuesPop-culture iconography / Precise classical technique / Uneasy humor / Street-born heraldryTall deck-bottom composition / Bold-outlined characters / Horror mixed with humor / Grace about being worn away
Best used forArtwork for record labels, skate brands and tattoo shops · Covers for shows or books that reject museum politeness outrightA tall surface needing a heraldic image identifiable from a distance · Youth merchandise wanting imagery that keeps value as it wears away
TypeSign-painter and comic lettering rendered as carefully as the artBrand name drawn as heavy lettering at the stroke weight of the art
CompositionA central face with the surround filled by emblem-like motifsThe subject run down the tall center axis, rounded ends cropping the image
MaterialOil gloss and smooth gradation, brushwork sanded awayA few screen colors overlaid, with knockouts letting the wood show through
CautionPicking creepy subject matter while skipping the rendering craft turns the work into doodling that only wants to shock.Leaning on fine detail loses the image the first time it grinds, so the more a board is ridden the less it is worth.

IndexStyle