Iranian Poster vs Kufic

イランのポスター / クーフィー体

Iranian Poster comes from Regional Graphics and Kufic from Calligraphic Traditions. They are reached for with some of the same intent, which is where they get confused.

Iranian Poster

The Iranian graphic culture Morteza Momayez opened: the line of Persian calligraphy fused with modernist composition, growing a poster tradition that speaks in poetic metaphor across revolution and war.

Kufic

Keeps the uprights short and draws the horizontals long, massing letters of straight strokes and right angles into a band of even height.

Iranian PosterKufic
Era1960s–8th century onward
FamilyRegional GraphicsCalligraphic Traditions
KindStyleStyle
CuesCalligraphic line as form / Poetic metaphor / The compositional force of Persian script / A restrained paletteHorizontals drawn long / Short angular uprights / Letters turning at right angles / Lines massed into an even band
Best used forCultural event announcements that speak in metaphor rather than explanation · Setting Persian and Latin script as equals on one sheetCutting an inscription into a wall or a vessel as a band · Using the angular letterforms as figure, for titling and marks meant to be read from a distance
TypeTurn one calligraphic stroke into the image and keep text small at the edgeFix the ratio of upright to horizontal first, and turn every corner at a right angle
CompositionA single image at the center with generous emptiness around itAlign the top and the foot of the line, space the uprights evenly, and run the letters as a band
MaterialTwo or three flat colors, counting the paper white as oneCut into stone, brick and tile, and on parchment hold the stroke to an even weight with the reed pen
CautionPiling metaphor on until every clue to the subject is gone leaves a sheet that never tells anyone what the event is.Copying only the right angles while breaking the joins between letters leaves an ornamental band that no longer reads as a word.

IndexStyle