# Photorealism × Stuckism — composed image prompt
# IndexStyle — https://indexstyle.org/compose?ids=photorealism+stuckism
# Photorealism carries the structure and Stuckism appears as the accent.
# Style descriptors only. This prompt names no artist, studio, brand or work.

Produce four original images that take their structure from Photorealism (style, 1968–1980s) and their accent from Stuckism (style, 1999–).

## What to make

Make the kind of thing Photorealism exists for: advertising for cars and watches where the reflections in chrome and glass are the subject, or books and features on the city and consumer culture that keep the information a mechanical eye records. Choose one subject and hold it across all four.

## Structure comes from Photorealism

- Reflections and highlights taken from the photograph
- Depth of field painted exactly as the lens gave it
- Commercial subjects drawn from the city
- A smooth surface with every brushmark erased

Composition: Keep the photograph's own crop and do not recompose the frame. Type and lettering: Let lettering appear inside the frame as signage, never laid over the image from outside.

## Accent comes from Stuckism, used sparingly

- Heavy contours around figures and rooms
- Flat, non-natural saturated color
- Frontal autobiographical or narrative scenes
- Hand-painted signs, manifestos, and public protest

Let one material quality come from it: Lay opaque acrylic or oil flat, preserving black contour and uneven fill.

## Colour and feeling

Build the ground on #c8d2d8, carry the structure in #008cd3 and #0e1316, and let a single accent come from #D74734. These are read off real works, so a direction rather than a fixed palette.
Feeling to carry: technique, futurity, trust, rebellion, intimacy, play.

## Where they fight

- Photorealism and Stuckism share no intent, so the contrast has to become the subject rather than something to smooth over.

## What goes wrong

- Photorealism: Cleaning up the lens artefacts: polish out the focus fall-off, the grain and the fringing and the picture stops reading as a photograph made by hand, leaving airless illustration.
- Stuckism: Not all contemporary figurative painting is Stuckism. The 1999 movement, manifesto, and institutional position are the boundary.

## Across the four

Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture.

## Constraints

- Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work.
- Do not reproduce the composition of an existing work.
- Produce original compositions in the general period languages described above.

Design specs for each entry: https://indexstyle.org/styles/photorealism/design.md · https://indexstyle.org/styles/stuckism/design.md