# Fat Face × Wood Type — composed image prompt
# IndexStyle — https://indexstyle.org/compose?ids=fat-face+wood-type
# Fat Face carries the structure. Wood Type appear as accents, each further back than the last.
# Style descriptors only. Never imitates a specific artist, studio, brand or work.

An original image that takes its structure from Fat Face (Style, c. 1803–) and its accent from Wood Type (Technique, 1827–). Structural cues: Swollen stems; Hairline horizontals; Tight spacing; Poster scale. Accent cues, used sparingly: Gigantic sizes; Extreme condensing and extending; Carved ornament; Ink scuff and material grain. Composition: Justify each line to the same width and stack weights for contrast. Type and lettering: One or two words filling the sheet, spaced as tight as they will go. Let one material quality come from the second style: Firm impression showing grain, few colors, chips and wear left in. Mood: Exhilaration, Play, Nostalgia. Color: build on #e9e6dd, #67635d, #171615 with a single accent drawn from #e9e6dd, #67635d, #171615. Constraints: do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work. Produce an original composition in the general period languages described above.

# Where the two fight
# - Both belong to Type Classification, so the difference is small. Push the roles further apart than feels comfortable.

# Cautions carried from each entry
# - Fat Face: At small sizes the hairline horizontals disappear and the letters collapse into thick blocks that can no longer be told apart.
# - Wood Type: Multiplying faces line by line without ranking them flattens the order of emphasis, and no one can tell what to read first.

# Design specs: https://indexstyle.org/styles/fat-face/design.md · https://indexstyle.org/styles/wood-type/design.md