# Chine Collé × Lithography — composed image prompt
# IndexStyle — https://indexstyle.org/compose?ids=chine-colle+lithography
# Chine Collé carries the structure and Lithography appears as the accent.
# Style descriptors only. This prompt names no artist, studio, brand or work.

Produce four original images that take their structure from Chine Collé (technique, 19th century–present) and their accent from Lithography (technique, 1796–).

## What to make

Make the kind of thing Chine Collé exists for: exhibitions and teaching that compare Chine Collé with neighbouring print techniques, or publications studying lines, tones and paper through documented works. Choose one subject and hold it across all four.

## Structure comes from Chine Collé

- Thin paper beneath the printed image
- Boundary against the surrounding support
- Printed marks overlay the thin sheet
- A two-layer paper support

Composition: Plan the thin paper edge and image position together, including the surrounding support. Type and lettering: Keep lettering in the work separate from added labels; place medium, artist and date outside the image.

## Accent comes from Lithography, used sparingly

- Greasy crayon
- Stone or metal plate
- Painterly tone
- Multicolor overprinting

Let one material quality come from it: Greasy crayon or tusche on stone, tone held by oil against water.

## Colour and feeling

Build the ground on #E1D5BF, carry the structure in #8D8071 and #403B35, and let a single accent come from #a24f3e. These are read off real works, so a direction rather than a fixed palette.
Feeling to carry: intimacy, luxury, nostalgia.

## Where they fight

- Chine Collé and Lithography are techniques rather than looks. Decide which one runs last in the process, because that is the one that will show.

## What goes wrong

- Chine Collé: Do not infer it from a coloured rectangle alone. Verify that bonding accompanies printing and identify the image-making technique separately.
- Lithography: Pencil texture is not it, and neglecting density control crushes the tone into a merely blurred image. Learn how oil against water, the stone, damping, the roller and overprinted plates shape line and color.

## Across the four

Keep the roles fixed in all four. Vary the framing, the scale and the arrangement so the set shows what this pairing can do rather than four versions of one picture.

## Constraints

- Do not imitate, reference or name any specific artist, studio, brand, character or copyrighted work.
- Do not reproduce the composition of an existing work.
- Produce original compositions in the general period languages described above.

Design specs for each entry: https://indexstyle.org/styles/chine-colle/design.md · https://indexstyle.org/styles/lithography/design.md