{"id":"zhe-school","no":766,"name":"Zhe School","ja":"浙派","era":"Ming dynasty, 15th–16th centuries","family":"東アジア絵画","kind":"スタイル","source":{"title":"National Palace Museum — The Art and Aesthetics of Form","url":"https://www.npm.gov.tw/Exhibition-Content.aspx?l=2&sno=04007201"},"essence":"戴進、呉偉らに結び付く明代の絵画の系統。南宋の宮廷画の型を学び、大きな山水や物語を、強い墨の面と勢いのある線で展開した。浙江だけに限定された固定の工房ではなく、画家の活動と影響の範囲は広い。呉派と混ざる作品もあり、二つを完全な対立へしない。","cues":["南宋の型を再解釈した大きな山水","強い墨の面と勢いのある線","人物の行為と山や道をつなぐ物語","大きな形と速い筆触が作る明暗のまとまり"],"intents":["高揚","技術"],"pair":["wu-school","sumi-e"],"study":["Dai Jin and Wu Wei","National Palace Museum — regional Ming painting schools","The Met — Returning home through the snow and Xie Shichen"],"works":["明代の絵画を、宋代の型の再解釈と地域の交流から比較する展示","人物と風景の物語を、大きな明暗のまとまりで読ませる出版面"],"recipe":{"type":"題名と場面の解説は、強い墨の塊から離れた文字面に揃える。","layout":"人物の行為を山や道へつなぎ、大きな明暗の塊から細部へ視線を送る。","material":"広い墨の面と鋭い線を使い分け、筆の勢いと場面の読みやすさを確認する。"},"avoid":"大胆な水墨画すべてを浙派と呼ばない。産地や職業だけで分類せず、呉派との交わりと南宋の型への参照を確かめる。","colors":["#CBB894","#7D7059","#373C34"],"motif":"landscape","collection":"Dictionary expansion 50","addedAt":"2026-10-05","reference":{"status":"verified","pageUrl":"https://www.npm.gov.tw/Exhibition-Content.aspx?l=2&sno=04007201","credit":"National Palace Museum — The Art and Aesthetics of Form","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Dai%20Jin%20-%20Landscape%20with%20Daoist%20Immortals%20Playing%20Weiqi%20-%201998.148%20-%20Art%20Institute%20of%20Chicago.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Dai%20Jin%20-%20Landscape%20with%20Daoist%20Immortals%20Playing%20Weiqi%20-%201998.148%20-%20Art%20Institute%20of%20Chicago.jpg","credit":"Attributed to Dai Jin, Landscape with Daoist Immortals Playing Weiqi, 15th–16th century — Art Institute of Chicago — Wikimedia Commons / Public domain"}]},"en":{"essence":"A Ming painting lineage associated with Dai Jin, Wu Wei and others who reinterpreted Southern Song court models. Large landscapes and narratives unfold through strong ink masses and energetic lines. It was not a fixed studio limited to Zhejiang; artists and influence ranged widely, and some paintings combine its approach with Wu-school conventions.","cues":["Large landscapes reinterpret Southern Song models","Strong ink masses and energetic lines","Figures, mountains and paths connect a narrative","Bold forms and swift strokes organise light and dark"],"works":["Comparing the reinterpretation of Song precedents and regional exchange in Ming painting","Making a figure-and-landscape narrative legible through large tonal groups"],"recipe":{"type":"Align titles and scene explanations away from strong ink masses.","layout":"Connect figures' actions to mountains and paths, directing attention from tonal groups to detail.","material":"Distinguish broad ink areas from sharp lines, balancing energetic strokes with narrative clarity."},"avoid":"Bold ink painting alone does not qualify. Check references to Southern Song models and exchanges with the Wu school rather than classifying by birthplace or profession alone."},"links":{"page":"https://indexstyle.org/styles/zhe-school","json":"https://indexstyle.org/api/styles/zhe-school","designSpec":"https://indexstyle.org/styles/zhe-school/design.md","imagePrompt":"https://indexstyle.org/styles/zhe-school/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}