{"id":"xieyi","no":762,"name":"Xieyi","ja":"写意画","era":"historical Chinese painting–present","family":"東アジア絵画","kind":"技法","source":{"title":"Shanghai Museum — Bamboo, Rock and Orchid by Zheng Xie","url":"https://www.shanghaimuseum.net/mu/frontend/pg/m/article/id/CI00004466"},"essence":"形の細部を一つずつ閉じるより、筆の勢い、墨の濃淡、余白で主題の姿と意を伝える中国絵画の画法。書と連続する線や、少ない面から花や鳥を立ち上げる。単なる速描きや水墨画全体の別名ではなく、工筆と一つの画面で併用されることもある。","cues":["筆の速度と圧が読める線や面","濃い墨、薄い墨、にじみの組み合わせ","細部を省いても姿勢が伝わる主題","文字、主題、余白のあいだの緊張"],"intents":["静けさ","高揚"],"pair":["gongbi","sumi-e"],"study":["Shanghai Museum — Zheng Xie's freehand brushwork","Hong Kong Museum of Art — Lotus and mallard by Zhu Da","Palace Museum, Beijing — Xu Wei's Grapes"],"works":["絵画の教材で、筆の運びと省略が形をどう伝えるか示すとき","植物や鳥の出版で、細部を減らして姿勢とリズムを強めるとき"],"recipe":{"type":"注記を筆の線と混ぜず、原作の書と編集上の説明を区別する。","layout":"大きな墨の面と一本の方向を先に決め、主題を支える余白を残す。","material":"同じ筆で圧、速度、含む水を変え、少ない筆触から形が読めるか試す。"},"avoid":"乱雑さや偶然のにじみだけで写意と呼ばない。技量や観察を省略の前提として読み、すべてを無彩色の即興へまとめない。","colors":["#E5DBC4","#73766B","#282D29"],"motif":"painting","collection":"Dictionary expansion 50","addedAt":"2026-10-05","reference":{"status":"verified","pageUrl":"https://www.shanghaimuseum.net/mu/frontend/pg/m/article/id/CI00004466","credit":"Shanghai Museum — Bamboo, Rock and Orchid by Zheng Xie","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Xu%20Wei%20Grapes.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Xu%20Wei%20Grapes.jpg","credit":"Xu Wei, Grapes, Ming dynasty — Palace Museum, Beijing — Wikimedia Commons / Public domain"}]},"en":{"essence":"A Chinese painting method that conveys a subject through expressive strokes, ink values and open space rather than enclosing every detail. Lines related to calligraphy and a few painted masses can suggest flowers or birds. It is more than quick sketching, differs from ink painting as a whole, and can be combined with gongbi.","cues":["Lines and masses reveal brush speed and pressure","Dark ink, pale washes and spreading edges","Abbreviated details still convey a subject's pose","Tension among writing, subject and open space"],"works":["Teaching how brush movement and abbreviation convey form","Strengthening pose and rhythm with fewer details in plant or bird publications"],"recipe":{"type":"Keep annotations apart from painted strokes and distinguish original writing from editorial explanation.","layout":"Set a dominant ink mass and direction first, retaining open space that supports the subject.","material":"Vary pressure, speed and water in the same brush, testing whether few strokes still convey form."},"avoid":"Disorder or accidental bleeding alone is insufficient. Read observation and skill behind the abbreviations; do not reduce every example to monochrome improvisation."},"links":{"page":"https://indexstyle.org/styles/xieyi","json":"https://indexstyle.org/api/styles/xieyi","designSpec":"https://indexstyle.org/styles/xieyi/design.md","imagePrompt":"https://indexstyle.org/styles/xieyi/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}