{"id":"wunderkammer","no":263,"name":"Wunderkammer","ja":"驚異の部屋","era":"16th–18th century","family":"展示デザイン","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Kunsthistorisches Museum Wien — Kunstkammer","url":"https://www.khm.at/en/visit/collections/kunstkammer-wien/"},"reference":{"status":"verified","pageUrl":"https://www.khm.at/en/visit/collections/kunstkammer-wien/","credit":"Kunsthistorisches Museum Wien — Kunstkammer","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/1655%20-%20Frontispiece%20of%20Museum%20Wormiani%20Historia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:1655%20-%20Frontispiece%20of%20Museum%20Wormiani%20Historia.jpg","credit":"ヴォルムの博物室 1655"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Musei%20Wormiani%20Historia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Musei%20Wormiani%20Historia.jpg","credit":"『Musei Wormiani Historia』図版"}]},"essence":"自然物と人工物、標本と美術を区別せず一室に集積した近世の収集展示。天井から壁まで埋め尽くす濃密さが世界の縮図を目指し、博物館の祖型かつ「収集の美学」の原点になった。","cues":["天井までの集積","自然物と人工物の混在","分類以前の驚異","収集家の宇宙"],"intents":["高揚","遊び","懐かしさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"display","pair":["salon-hang","maximalism"],"study":["オーレ・ヴォルム","ルドルフ2世の収集","現代美術のヴンダーカンマー再演"],"en":{"essence":"The early-modern collection room that massed naturalia and artificialia, specimens and art without division. Its floor-to-ceiling density aimed at a microcosm of the world — the ancestor of the museum and of the aesthetics of collecting.","cues":["Accumulation to the ceiling","Nature and artifice mixed","Wonder before classification","A collector's universe"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Ole Worm","the collections of Rudolf II","Wunderkammer restagings in contemporary art"]}}