{"id":"wood-engraving","name":"Wood Engraving","ja":"木口木版","era":"late 18th century–present","family":"凸版印刷","source":{"title":"Quentin Blake Centre for Illustration — Wood engraving","url":"https://qbcentre.org.uk/glossary/wood-engraving"},"essence":"硬く滑らかな木の木口を細い工具で彫り、残った高い面からインクを刷る凸版技法。細かな白線と黒い面、密な点や刻みで階調を作る。木目に沿う板目木版より精細な線を扱いやすく、金属版に黒線を彫るエングレーヴィングとは印刷の仕組みが異なる。","cues":["黒い面を切り分ける細かな白線","小さな刻みや点の密度差","木目の影響が目立たない精細な線","文章と一緒に刷られる図版の尺度"],"intents":["技術","懐かしさ"],"pair":["woodcut","engraving"],"study":["Thomas Bewick — wood blocks and book illustrations","End grain versus plank grain","Quentin Blake Centre — Wood engraving"],"avoid":"名称に彫刻があっても凹版ではない。木口と板目、黒く刷る面と白く抜く溝を分け、金属の彫刻凹版と混同しない。","no":770,"kind":"技法","works":["木口木版の作例を、近接する版画技法と比較する展示・教材","線、階調、紙の関係を実作品の技法記録から検討する出版"],"recipe":{"type":"作品の文字と後から加える説明を分け、技法・作者・年代を画面外へ整理する。","layout":"黒のまとまりを先に決め、細い白線と点を切り分ける。","material":"所蔵館の技法記録と実物の紙・インクを確認し、画面の色だけから材料を決めない。"},"colors":["#E1D5BF","#403B35","#8D8071"],"motif":"print","collection":"Dictionary expansion 51","addedAt":"2026-10-05","reference":{"status":"verified","pageUrl":"https://qbcentre.org.uk/glossary/wood-engraving","credit":"Quentin Blake Centre for Illustration — Wood engraving","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bewick%20block%2001.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bewick%20block%2001.jpg","credit":"Thomas Bewick, original engraved wood block — photo: Gemena (2012); matrix rather than impression — Wikimedia Commons / CC BY-SA 3.0"}]},"en":{"essence":"A relief technique cut into hard, smooth end-grain wood. Ink prints from the surface that remains, while fine cuts create white lines and small marks that build tone. It supports detail with little visible wood grain; its printing logic differs from metal engraving.","cues":["Fine white lines divide black areas","Tone from small cuts and dots","Detail with little visible wood grain","Illustrations sized for printed pages"],"avoid":"The word engraving does not make this intaglio. Distinguish end-grain blocks from plank woodcuts and metal plates.","works":["Exhibitions and teaching that compare Wood Engraving with neighbouring print techniques","Publications studying lines, tones and paper through documented works"],"recipe":{"type":"Keep lettering in the work separate from added labels; place medium, artist and date outside the image.","layout":"Establish black masses first, then divide them with fine white lines and dots.","material":"Check the collection medium record and the paper and ink; do not infer materials from screen colour alone."}},"links":{"page":"https://indexstyle.org/styles/wood-engraving","json":"https://indexstyle.org/api/styles/wood-engraving","designSpec":"https://indexstyle.org/styles/wood-engraving/design.md","imagePrompt":"https://indexstyle.org/styles/wood-engraving/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}