{"id":"white-cube","no":232,"name":"White Cube","ja":"ホワイトキューブ","era":"1930s–","family":"展示デザイン","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Tate — Art Term: White Cube","url":"https://www.tate.org.uk/art/art-terms/w/white-cube"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/w/white-cube","credit":"Tate — Art Term: White Cube","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Inside%20White%20Cube%20Bermondsey.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Inside%20White%20Cube%20Bermondsey.jpg","credit":"ロンドンのギャラリー ホワイトキューブ・バーモンジーの内部 2014年 撮影 Matt Brown — Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Andy%20Warhol%20Campbell's%20Soup%20Cans%20(MoMA%20-%20New%20York).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Andy%20Warhol%20Campbell's%20Soup%20Cans%20(MoMA%20-%20New%20York).jpg","credit":"ニューヨーク近代美術館 アンディ・ウォーホル《キャンベル・スープ缶》の展示風景 2007 — Wikimedia Commons / CC BY-SA 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Amsterdamse%20Vondelschool%20naar%20de%20wekelijkse%20museumles%20in%20het%20Stedelijk%20Museum%2C%20Bestanddeelnr%20910-9350.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Amsterdamse%20Vondelschool%20naar%20de%20wekelijkse%20museumles%20in%20het%20Stedelijk%20Museum%2C%20Bestanddeelnr%20910-9350.jpg","credit":"ハリー・ポット／Anefo 撮影 アムステルダム市立美術館の展示室 1960 — Wikimedia Commons / CC0"}]},"essence":"白い壁・均質な照明・無装飾の空間で作品だけを立ち上がらせる展示の様式。MoMAが定着させ、オドハティの批評が「中立を装う制度」としての性格を暴いて以後も、現代美術の既定値であり続ける。","cues":["白い壁","均質な照明","作品の孤立","文脈の消去"],"intents":["静けさ","信頼","高級"],"works":["作品ごとの文脈を抑え、一点の見え方を最大化する展示をするとき","性格の異なる作品を並べても、会場が主張しない場をつくるとき"],"recipe":{"type":"キャプションは小さく、作品から一定距離を空けて全点同じ位置に置く","layout":"作品同士の間隔を広く取り、視線の高さを一本の線に揃える","material":"無彩色の壁と均質な照明、床と天井の設備を視界から消す"},"avoid":"白い壁が中立だと思い込むと、歴史や社会を扱う作品まで無害な物体に見せてしまい、内容が伝わらない","colors":["#f0efec","#c9a787","#1d1d1d"],"motif":"display","pair":["minimalism","salon-hang"],"study":["ブライアン・オドハティ『ホワイト・キューブの内側で』","MoMAの展示規範","オルタナティブ・スペースの反動"],"en":{"essence":"White walls, even light and an unadorned room, so that only the work stands up. MoMA made it standard, and though O'Doherty's criticism exposed it as an institution disguised as neutrality, it remains the default for showing contemporary art.","cues":["White walls","Even lighting","The isolated artwork","Context erased"],"works":["Maximizing how a single work reads by holding its context back","Making a room that stays quiet when unlike works are shown together"],"recipe":{"type":"Small captions at one fixed distance from the work, identical everywhere","layout":"Wide gaps between works and a single sightline height throughout","material":"Neutral walls, even light, floor and ceiling services out of view"},"avoid":"Believing white walls are neutral turns works about history and society into harmless objects, and their content never reaches the viewer.","study":["Brian O'Doherty, Inside the White Cube","MoMA's display conventions","the reaction of alternative spaces"]},"links":{"page":"https://indexstyle.org/styles/white-cube","json":"https://indexstyle.org/api/styles/white-cube","designSpec":"https://indexstyle.org/styles/white-cube/design.md","imagePrompt":"https://indexstyle.org/styles/white-cube/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}