{"id":"webtoon-vertical-scroll","no":530,"name":"Webtoon (Vertical-Scroll Comics)","ja":"ウェブトゥーン（縦スクロール漫画）","era":"2003–","family":"ウェブの読み物","kind":"レイアウト","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"The Comics Journal — The Webtoon: A New Form for Graphic Narrative (署名記事)","url":"https://www.tcj.com/the-webtoon-a-new-form-for-graphic-narrative/"},"reference":{"status":"verified","pageUrl":"https://www.tcj.com/the-webtoon-a-new-form-for-graphic-narrative/","credit":"The Comics Journal — The Webtoon: A New Form for Graphic Narrative (署名記事)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Webtoon%20second%20generation.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Webtoon%20second%20generation.png","credit":"縦一列に流れる第2世代ウェブトゥーンの画面 2014年 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/%EC%A1%B0%EC%84%9D.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:%EC%A1%B0%EC%84%9D.png","credit":"チョ・ソク《心の声》2006年 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"韓国のポータルで育った、縦一列にだけ流れる漫画の版面。コマ間の空白そのものが表現になり、その長さが経過した時間や場面の変わり目を示し、背景色や降る雨、コマから出した台詞まで担う。読者は先を覗けず、スクロールした分だけ時間が進む。","cues":["コマが縦一列にだけ並び、横に目を動かす先がない","コマ間の空白がコマより長く取られ、そこに背景色や降る雨、台詞が置かれる","幅に対して八倍ほど縦に長い一枚のコマが現れ、何度もスクロールしないと全体が見えない","はじめから全編フルカラーで、画面幅に合わせた一定の横幅で描かれる"],"intents":["親密","高揚","遊び"],"works":["縦スクロールで読む物語を作るとき、ページ割りではなく空白の長さで間を設計したいとき","落下や潜水のように、読む時間そのものを引き延ばしたい場面を組むとき"],"recipe":{"type":"台詞をコマの中に閉じ込めず、空白へ出してよい。語りと台詞を別の場所に置くと、語り手と登場人物を切り離せる。","layout":"横幅を固定し、縦にだけ伸ばす。長い間には長い空白、緊迫には短い空白の連続を割り当て、区切りの単位をページではなく空白の高さに置く。","material":"全編フルカラーを前提に、空白の背景色で一話の調子を決める。雨や落下のように繰り返す図像を空白へ流し込み、コマとの境目を溶かす。"},"avoid":"紙のページ割りをそのまま縦に積むと、空白が意味を持たない単なる隙間に戻り、この様式の中心にある間の設計が働かなくなる。","colors":["#EDE6CA","#354751","#FFFFFF"],"motif":"graphic","pair":["shojo-manga","american-comic-style"],"study":["コマ間の空白が時間の長さや場面転換をどう担うかという議論","縦に極端に長いコマが、読む時間と語られる時間を重ねる仕組み","日本や米国のウェブ漫画が紙の版面を保ったのに対し韓国だけ離れた経緯"],"en":{"essence":"A comics layout that grew on Korean portals and runs down a single column. The blank space between panels stops being a mere break and becomes the material, because its length carries elapsed time or a change of scene while it also takes on background colour, falling rain, and even the dialogue lifted out of the frames. Since the reader cannot glance ahead, the act of scrolling becomes the passage of story time.","cues":["Panels line up in a single vertical column, with nowhere for the eye to move sideways","The blank between panels runs longer than the panels themselves and holds background colour, falling rain, or dialogue","A single panel roughly eight times taller than it is wide, needing several scrolls before it can be seen whole","Full colour from the outset, drawn to one fixed width matched to the screen"],"works":["Building a story to be read by scrolling, where pacing is designed as lengths of blank space rather than as page turns","Staging a fall or a dive where the point is to stretch out the reader's own reading time"],"recipe":{"type":"Dialogue does not have to stay inside the frame, so push it into the blank. Separating narration from speech that way pulls the narrator apart from the character.","layout":"Fix the width and extend only downward. Give a long pause a long blank and a tense passage a run of short ones, so the unit of division is the height of the gap rather than the page.","material":"Assume full colour throughout and let the background colour of the gaps set the mood of an episode. Pour a repeating image such as rain or a falling body through the blanks until the edge between gap and panel dissolves."},"avoid":"Stacking print page layouts one under another turns the blanks back into meaningless slack and disables the pacing mechanism that sits at the centre of the form.","study":["コマ間の空白が時間の長さや場面転換をどう担うかという議論","縦に極端に長いコマが、読む時間と語られる時間を重ねる仕組み","日本や米国のウェブ漫画が紙の版面を保ったのに対し韓国だけ離れた経緯"]}}