{"id":"warli-painting","no":744,"name":"Warli Painting","ja":"ワルリ絵画","era":"living tradition / paper and canvas since 1970s","family":"壁画の伝統","kind":"スタイル","source":{"title":"Impart Encyclopedia of Art — Warli Painting","url":"https://imp-art.org/articles/warli-painting/"},"essence":"マハーラーシュトラとグジャラートのワルリ共同体で、土壁に白い線と幾何学的な人物を描く絵画の伝統。農作業、動物、踊りや儀礼を、重なりの少ない平面へ連ねる。1970年代以降には紙や布へも展開した。幾何学的な人型の見た目だけでなく、共同体の暮らしと儀礼を描く文脈まで含めて読む。","cues":["褐色や赤土色の地に白い線を引く","二つの三角形、円、棒状の手足で人物を構成する","輪や螺旋状の踊りと、並行して続く日常の場面","人、動物、木、畑を、透視図法より平面的な関係で並べる"],"intents":["親密","高揚"],"pair":["madhubani","ndebele-painting"],"study":["Jivya Soma Mashe","Warli tarpa dance and village scenes","Wedding chawk and the distinction between ritual and secular subjects"],"works":["地域文化の展示で、暮らしと儀礼の関係を実作例から説明するとき","ワルリの作り手と協働する出版や布の企画で、場面の連なりを構成の軸にするとき"],"recipe":{"type":"説明文は絵の外へ分け、共同体名、作り手、描かれた場面を明記する。","layout":"地色を広く残し、一つの行為の連なりを輪か水平の帯へ置く。人と動物を過度に重ねない。","material":"伝統的な米の白と土壁の色を手がかりにする。現代の紙や布の作品は、その材料を個別に記録する。"},"avoid":"起源の年代は確定していないため古代から不変と断言しない。婚礼のchawkや神像を汎用アイコンとして流用せず、作り手と用途を確かめる。","colors":["#EEE8D7","#A45432","#583321"],"motif":"organic","collection":"Dictionary expansion 48","addedAt":"2026-10-05","reference":{"status":"verified","pageUrl":"https://imp-art.org/articles/warli-painting/","credit":"Impart Encyclopedia of Art — Warli Painting","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Warli%20painting.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Warli%20painting.jpg","credit":"Warli painting — Omrmankar — Wikimedia Commons / CC BY-SA 4.0"}]},"en":{"essence":"A painting tradition of Warli communities in Maharashtra and Gujarat, joining white geometric figures and lines on earth-coloured walls. Work, animals, dance and ritual share a largely unoverlapped plane. Later paper and cloth works extend the practice; the community and the subject remain essential to reading its forms.","cues":["White marks on brown or red earth grounds","Figures built from joined triangles, circles and slender limbs","Circular or spiral dance beside scenes of everyday activity","People, animals, trees and fields arranged without perspectival depth"],"works":["Explaining relationships between everyday life and ritual through attributed examples","Collaborating with Warli makers on publications or textiles structured around connected scenes"],"recipe":{"type":"Keep explanatory text outside the image and name the community, maker and scene.","layout":"Leave the ground visible and organise one sequence of activity into a circle or band without heavy overlaps.","material":"Use the relationship between rice-white pigment and earth as a study cue; document modern materials individually."},"avoid":"Its origins are not securely dated. Do not turn wedding chawk or sacred figures into generic icons; verify makers, context and use.","study":["Jivya Soma Mashe","Warli tarpa dance and village scenes","Wedding chawk and the distinction between ritual and secular subjects"]},"links":{"page":"https://indexstyle.org/styles/warli-painting","json":"https://indexstyle.org/api/styles/warli-painting","designSpec":"https://indexstyle.org/styles/warli-painting/design.md","imagePrompt":"https://indexstyle.org/styles/warli-painting/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}