{"id":"visual-music","no":200,"name":"Visual Music","ja":"ヴィジュアル・ミュージック","era":"1920s–","family":"実験映画","kind":"スタイル","collection":"Dictionary expansion 11","addedAt":"2026-08-18","source":{"title":"Center for Visual Music","url":"http://www.centerforvisualmusic.org/"},"reference":{"status":"verified","pageUrl":"http://www.centerforvisualmusic.org/","credit":"Center for Visual Music","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Spectre%20image3-1977.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Spectre%20image3-1977.jpg","credit":"リチャード・モンクハウス《EMS Spectre 映像シンセサイザーによる画像》1977年 — Wikimedia Commons / CC BY 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Video%20synthesizer%2C%20PNW%20SynthFest%202013.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Video%20synthesizer%2C%20PNW%20SynthFest%202013.jpg","credit":"ダニエル・スピルス 撮影《映像シンセサイザーの出力》PNW SynthFest 2013年 — Wikimedia Commons / CC BY-SA 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Two%20stills%20from%20Montreal%20Comprovisation%20No.%201.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Two%20stills%20from%20Montreal%20Comprovisation%20No.%201.jpg","credit":"ジョシュア・バンクス・メイルマン《Montreal Comprovisation No.1 より2コマ》2012年 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"音楽の構造を抽象的な形・色・運動へ翻訳する映像芸術。色オルガンから抽象アニメーション、今日のオーディオビジュアルまで、「目で聴く」系譜を形づくる。","cues":["抽象形態の運動","色彩の和音","音と形の対位法","物語の不在"],"intents":["静けさ","高揚","技術"],"works":["ライブやインスタレーションで、演奏の構造に映像を同期させるとき","歌詞や物語に頼らず、音の構造だけで最後まで見せる映像をつくるとき"],"recipe":{"type":"文字を使わないか、使うなら図形と同じ扱いにする","layout":"画面の中心を保ち、形の数と間隔で和音をつくる","material":"色相を音高に、明度を強弱に割り当てて色を決める"},"avoid":"音量に形の大きさを直結させただけの反応をつくり、拍は合っていても曲の構造がまるで見えない。","colors":["#c9fefd","#ffff02","#03221d"],"motif":"motion","pair":["direct-animation","saul-bass-title"],"study":["オスカー・フィッシンガー","メアリー・エレン・ビュート","トーマス・ウィルフレッドのルミア"],"en":{"essence":"Film art that translates musical structure into abstract shape, color and motion. From the color organ through abstract animation to today's audiovisual work, it forms a lineage of listening with the eyes.","cues":["Abstract forms in motion","Chords of color","Counterpoint of sound and shape","No narrative"],"works":["Live performance and installation where the image must lock to the playing","Films that carry a piece of music through to the end without lyrics or story"],"recipe":{"type":"Use no lettering, or treat any lettering as one more figure","layout":"Hold the center and build chords from the count and spacing of forms","material":"Map hue to pitch and brightness to dynamics when choosing color"},"avoid":"Wiring shape size straight to volume, which hits the beat and never shows the structure of the piece.","study":["Oskar Fischinger","Mary Ellen Bute","Thomas Wilfred's lumia"]},"links":{"page":"https://indexstyle.org/styles/visual-music","json":"https://indexstyle.org/api/styles/visual-music","designSpec":"https://indexstyle.org/styles/visual-music/design.md","imagePrompt":"https://indexstyle.org/styles/visual-music/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}