{"id":"venetian-glass","no":522,"name":"Venetian Glass","ja":"ヴェネツィアン・グラス","era":"13th century–","family":"器と工芸の技","kind":"スタイル","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: Venetian glass (300136735)","url":"https://vocab.getty.edu/page/aat/300136735"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300136735","credit":"Getty Research Institute — Art & Architecture Thesaurus: Venetian glass (300136735)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/BLW%20Betrothal%20Goblet.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:BLW%20Betrothal%20Goblet.jpg","credit":"《エナメルと金彩の婚約杯》ヴェネツィア 1475–1500年 — Wikimedia Commons / CC BY-SA 2.0 UK"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Italian%20-%20Milk%20Glass%20Vase%20in%20the%20Shape%20of%20a%20Pilgrim's%20Flask%20-%20Walters%204730%20-%20Profile.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Italian%20-%20Milk%20Glass%20Vase%20in%20the%20Shape%20of%20a%20Pilgrim's%20Flask%20-%20Walters%204730%20-%20Profile.jpg","credit":"《ラッティモ（乳白ガラス）の巡礼者瓶》ヴェネツィア 1525年頃 ウォルターズ美術館 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bol%20van%20millefioriglas01.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bol%20van%20millefioriglas01.jpg","credit":"《ミッレフィオーリ・ガラスの球》ヴェネツィア 1500–1600年頃 アムステルダム国立美術館 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"ヴェネツィアのムラーノ島で作られたガラスと、その素材が決めた形の総称。ソーダ灰のガラスは軽くよく伸びるので、彫るのではなく熱いうちに引き、捻り、貼って形をつくる。乳白のラッティモや網目のフィリグラーナを練り込み、仕上げは金彩とエナメルの絵付けで乗せる。","cues":["器の壁が薄く、脚や把手が引き伸ばした細い線として付く","乳白の不透明ガラスの糸が透明な地に練り込まれ、網目や縞になる","切子のような彫りがほとんど無く、装飾は金彩とエナメルの絵付けで乗っている","断面に模様を持つ棒を輪切りにして並べた小さな円が、面の中に散る"],"intents":["高級","技術","高揚"],"works":["透明な地の中に白い線が走る質感を、ガラス什器や瓶のパッケージで再現したいとき","削って作るのではなく伸ばして作る形の柔らかさを、製品の造形や3D表現に持ち込みたいとき"],"recipe":{"type":"文字は金彩の細い筆線として器の縁に沿って回す。彫り込んだ文字にはしない。","layout":"軸対称の器形を保ったまま、脚と縁だけを引き伸ばして左右に張り出させる。装飾は面ではなく帯として回す。","material":"軽く伸びるガラスを前提に薄く成形する。透明な地に乳白の糸を練り込み、表面は金と不透明なエナメルで仕上げる。"},"avoid":"鉛ガラスの重い切子の感覚で厚みと彫りを足すと、伸ばして作った形である理由が消える。","colors":["#CFE0DC","#F6F3EC","#C9A227"],"motif":"graphic","pair":["renaissance","stained-glass"],"study":["ソーダ灰のガラスと鉛ガラスで、加工できる温度の幅がどう違うか","ラッティモ、フィリグラーナ、ミッレフィオーリがそれぞれ何を指すか","ムラーノの外で作られたアルターレのガラスやファソン・ド・ヴニーズとの見分け方"],"en":{"essence":"The glass made on Murano in Venice, and the forms that its material dictates. Soda glass is light and highly malleable, so shapes are drawn, twisted and applied while hot rather than cut away when cold. Opaque white lattimo and threaded filigrana run inside the body, while gilding and enamel painting sit on the surface.","cues":["Walls stay thin, and stems and handles arrive as drawn out lines","Threads of opaque white glass run through the clear body as nets and stripes","Cut engraving is rare, and the ornament instead sits on the surface as gilding and enamel","Small discs sliced from patterned canes are scattered across the wall"],"works":["Recreating the look of white threads running inside a clear body for glassware or bottle packaging","Bringing the softness of a form that was stretched rather than carved into product shapes or 3D work"],"recipe":{"type":"Run lettering around the rim as a thin gilded stroke. Never cut the letters into the surface.","layout":"Keep the vessel axially symmetrical while stretching only stem and rim outward. Ornament travels as a band, not as a filled panel.","material":"Form thin, assuming a glass that is light and stretches. Bed white threads into the clear body and finish the outside with gold and opaque enamel."},"avoid":"Adding the weight and cut facets of lead glass removes the reason the shape was stretched in the first place.","study":["how the workable temperature range differs between soda glass and lead glass","what lattimo, filigrana and millefiori each refer to","telling Altare glass and façon de Venise made outside Murano apart"]}}