{"id":"vectordelia","no":738,"name":"Vectordelia","ja":"ベクターデリア","era":"mid-2000s–early 2010s / retrospective name","family":"デジタル・レトロ","kind":"スタイル","essence":"2000年代半ばから2010年代初頭の広告、音楽グラフィック、ゲーム画面に広がった、平面的なベクターを最大限に増殖させる視覚言語。鮮色の曲線、花や鳥、人物シルエット、スピーカー、飛沫、グラデーションの塊が中心から外へ伸びる。後年VectordeliaまたはFrutiger Metroと呼ばれるが、当時のMicrosoft Metroとは別で、名称は遡及的である。","cues":["中心から外へ伸びる太い曲線、蔓、花、飛沫、同心円","踊る人物、鳥、蝶、街並み、スピーカーを影絵の輪郭で重ねる","ライム、シアン、マゼンタ、橙の平面とグラデーションを黒または白へ衝突させる","細い人間的なサンセリフと、大きく広がるベクター装飾の対比"],"intents":["高揚","遊び","懐かしさ"],"pair":["frutiger-aero","vectorheart"],"study":["2000年代のベクター素材集とIllustratorの普及","Frutiger Metroと呼ばれる以前の広告、音楽、ゲーム画面","Frutiger Aero、Vectorheart、Flat Designとの境界"],"works":["音楽、フェス、若者向けサービスで、写真を使わず運動と賑わいを平面グラフィックへ集約するとき","2000年代のデジタル文化を扱う展示やゲームで、光沢3Dではなくベクターの増殖として時代感を再現するとき"],"recipe":{"type":"細身のヒューマニストサンセリフを曲線の隙間へ短く置き、装飾と同じ輪郭線で文字を囲まない。","layout":"主役から三方向へ太い曲線を伸ばし、大小のシルエットと花形を重ね、読み物の領域だけ単色で抜く。","material":"輪郭の鋭いベクター面、透明グラデーション、ハーフトーン、飛沫ブラシを使い、写真の質感は一点に限定する。"},"avoid":"Frutiger Aeroの青空と光沢を平面化しただけにしない。またMicrosoftのMetro UIと混同しない。曲線、シルエット、音楽・自然モチーフが一つの流れを作るように組む。","colors":["#171A27","#52D84E","#F34B9A"],"motif":"digital","collection":"Dictionary expansion 47","addedAt":"2026-08-24","source":{"title":"e-Journal of New Media — Physical Reflections of Digital Aesthetics: The Influence of Frutiger Aero on Interior Design","url":"https://dergipark.org.tr/en/pub/ejnm/article/1535261"},"reference":{"status":"verified","pageUrl":"https://dergipark.org.tr/en/pub/ejnm/article/1535261","credit":"e-Journal of New Media — Physical Reflections of Digital Aesthetics: The Influence of Frutiger Aero on Interior Design"},"en":{"essence":"A mid-2000s to early-2010s visual language that made flat vector graphics proliferate across advertising, music graphics and game interfaces. Vivid curves, flowers, birds, human silhouettes, speakers, splashes and gradient blocks spread outward from a center. It was named Vectordelia or Frutiger Metro retrospectively; it predates and is distinct from Microsoft's typographic Metro interface.","cues":["Thick curves, vines, flowers, splashes and concentric rings growing outward from a center","Dancing people, birds, butterflies, skylines and speakers layered as silhouettes","Lime, cyan, magenta and orange planes and gradients colliding with black or white","Thin humanist sans-serif type contrasting with expansive vector ornament"],"works":["Concentrating motion and abundance into flat graphics for music, festivals or youth-facing services without photography","Recreating 2000s digital culture in exhibitions or games as vector proliferation rather than glossy 3D"],"recipe":{"type":"Set short copy in a light humanist sans-serif inside gaps in the curves; do not outline the letters like the ornament.","layout":"Grow broad curves in three directions from the subject, layer silhouettes and floral forms at varied scales, and reserve one solid area for reading.","material":"Use crisp vector planes, transparent gradients, halftones and splatter brushes, limiting photographic texture to one point."},"avoid":"Do not merely flatten Frutiger Aero's sky and gloss, and do not confuse it with Microsoft's Metro UI. Curves, silhouettes and music or nature motifs must form one continuous visual flow.","study":["The spread of vector packs and Illustrator in the 2000s","Advertising, music and game screens before the label Frutiger Metro","Boundaries with Frutiger Aero, Vectorheart and Flat Design"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}