{"id":"ultraismo","no":496,"name":"Ultraísmo","ja":"ウルトライスモ","era":"1918–1925","family":"実験タイポグラフィ","kind":"レイアウト","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Ultraism","url":"https://en.wikipedia.org/wiki/Ultraism"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Ultraism","credit":"Wikipedia — Ultraism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Vltra%2C%20de%20Barradas%2C%2020%20de%20febrero%20de%201921.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Vltra%2C%20de%20Barradas%2C%2020%20de%20febrero%20de%201921.jpg","credit":"Rafael Barradas による『Vltra』1921年2月20日号 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Rafael%20Barradas%20-%20Afiche.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Rafael%20Barradas%20-%20Afiche.png","credit":"Rafael Barradas によるポスター — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Rafael%20Barradas%20-%20Fiesta%20de%20disfraz%2C%201913.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Rafael%20Barradas%20-%20Fiesta%20de%20disfraz%2C%201913.jpg","credit":"Rafael Barradas《仮装の祭り》1913 — Wikimedia Commons / Public domain"}]},"essence":"スペイン語圏で、比喩を圧縮し飾りを捨てた詩を掲げた前衛。雑誌の版面では活字が斜めに走り、木版の抽象が挿し込まれ、詩そのものが図版として組まれた。イベリアと南米を往復した最初期の実験タイポグラフィ。","cues":["斜行する活字と余白","木版による抽象の挿図","比喩を圧縮した短い行","雑誌という発表形式"],"intents":["未来","技術","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["creacionismo","concrete-poetry"],"study":["雑誌『Ultra』『Grecia』の版面","ボルヘスの初期活動","クレアシオニスモとの分岐"],"en":{"essence":"A Spanish-language avant-garde that called for poetry compressed into metaphor and stripped of ornament. On the magazine page its type ran diagonally, woodcut abstractions were let in among the lines, and the poem was set as a plate in its own right. The earliest experimental typography to travel back and forth between Iberia and South America.","cues":["Diagonal type and open space","Woodcut abstractions as illustration","Short lines with the metaphor compressed","The magazine as the form of publication"],"works":["Small-press literary and cultural magazines where setting the text as an image is the whole editorial position","Type-led posters and covers that need energy without recourse to illustration or photography"],"recipe":{"type":"Wood and metal display type mixed on one page, with lines set at competing angles.","layout":"The page composed as a plate: the poem's own lines form the structure, white space is an element, and no column grid survives.","material":"Letterpress on cheap magazine stock, with a woodcut block dropped straight into the text area."},"avoid":"Angling type as a flourish over a conventional column: the angle came from setting language as an image, and without that reason it is styling only.","study":["The pages of the magazines Ultra and Grecia","Borges's early activity","Its divergence from Creacionismo"]}}