{"id":"tropicalia","no":129,"name":"Tropicália","ja":"トロピカリア","era":"mid-1960s–","family":"ブラジル前衛芸術","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Tropicália","url":"https://www.moma.org/collection/terms/tropic%C3%A1lia"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/tropic%C3%A1lia","credit":"MoMA — Tropicália","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Inhotim%20Oiticica%2001.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Inhotim%20Oiticica%2001.jpg","credit":"オイチシカのペネトラーヴェル（イニョチン）（CC BY 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Inhotim%20Oiticica%2005.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Inhotim%20Oiticica%2005.jpg","credit":"オイチシカ『マジック・スクエア』（CC BY-SA 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Gerardo%20Mosquera%20wearing%20H%C3%A9lio%20Oiticica's%20parangol%C3%A9%20Da%20adversidade%20vivemos.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Gerardo%20Mosquera%20wearing%20H%C3%A9lio%20Oiticica's%20parangol%C3%A9%20Da%20adversidade%20vivemos.JPG","credit":"エリオ・オイチシカ《パランゴレ：Da adversidade vivemos》を着る — Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"鮮烈な色、音楽、砂、植物、仮設空間、参加を混ぜ、軍事政権下の抑圧と“熱帯の楽園”という外部イメージを批評する。","cues":["鮮烈な混成","参加型空間","音楽と衣装","熱帯イメージの転倒"],"intents":["反骨","高揚","遊び"],"works":["音楽祭や文化イベントで、混成と猥雑さを肯定的に打ち出すとき","既成の南国イメージを引用しつつ裏返す、批評的な広告や装丁"],"recipe":{"type":"手書き、看板文字、印刷書体を混在させ、統一を意図的に崩す","layout":"通路と滞留の場を作り、観客が中に入って完成する配置にする","material":"砂、生木、布、仮設の板と原色の塗装を、粗い仕上がりのまま使う"},"avoid":"カラフルな南国趣味へ還元すると、批評したはずの観光的楽園を再生産する。ブラジルの軍事政権、ファヴェーラ、音楽と美術の政治的混成を確認する。","colors":["#f0d33c","#d64b37","#2d756c"],"motif":"counterculture","pair":["neo-concrete-art","psychedelic"],"study":["Hélio Oiticica","Lygia Pape","Caetano Veloso","Gilberto Gil"],"en":{"essence":"Mixes vivid color, music, sand, plants, temporary structures and audience participation to criticize both the repression of military rule and the outsider's image of a 'tropical paradise.'","cues":["Blazing hybridity","Participatory space","Music and costume","The tropical image inverted"],"works":["Music festivals and cultural events that want to celebrate mixture and unruliness","Critical advertising or covers that quote the tropical cliche in order to invert it"],"recipe":{"type":"Mix handwriting, sign painting and printed faces, breaking unity on purpose","layout":"Build paths and places to linger so the audience completes the piece","material":"Sand, raw wood, cloth, temporary boards and primary paint left rough"},"avoid":"Reducing it to colorful tropical taste reproduces the tourist paradise it set out to criticize, so the Brazilian military regime, the favelas and the political mixing of music and art have to be read.","study":["Hélio Oiticica","Lygia Pape","Caetano Veloso","Gilberto Gil"]},"links":{"page":"https://indexstyle.org/styles/tropicalia","json":"https://indexstyle.org/api/styles/tropicalia","designSpec":"https://indexstyle.org/styles/tropicalia/design.md","imagePrompt":"https://indexstyle.org/styles/tropicalia/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}