{"id":"trompe-loeil","no":86,"name":"Trompe-l'œil","ja":"トロンプ・ルイユ","era":"antiquity–present","family":"錯視表現","kind":"技法","source":{"title":"National Gallery of Art — The Old Violin","url":"https://www.nga.gov/artworks/50739-old-violin"},"credit":"William Michael Harnett, The Old Violin, 1886, National Gallery of Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Escaping%20criticism-by%20pere%20borrel%20del%20caso.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Escaping%20criticism-by%20pere%20borrel%20del%20caso.png","credit":"ボレル・デル・カソ『批評からの逃走』1874"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/William%20Michael%20Harnett%2C%20The%20Old%20Violin%2C%201886%2C%20NGA%2079531.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:William%20Michael%20Harnett%2C%20The%20Old%20Violin%2C%201886%2C%20NGA%2079531.jpg","credit":"ハーネット『古いヴァイオリン』1886"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Gijsbrechts%20Trompe%20l'oeil.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Gijsbrechts%20Trompe%20l'oeil.jpg","credit":"ヘイスブレヒツのトロンプ・ルイユ 17世紀"}],"essence":"平面の境界を隠し、実物がそこにあると一瞬信じさせるほど素材・影・寸法を揃える。","cues":["実寸感","接地影","素材描写","画面境界の利用"],"intents":["遊び","高級","技術"],"works":["商品や展示に驚きの入口をつくる","画面と現実の境界そのものを題材にする"],"recipe":{"type":"文字も描かれた物体として扱うか、錯視外へ分離","layout":"一つの面へ実寸の物体と影を厳密に配置","material":"木、紙、金属、摩耗、方向の揃った光"},"avoid":"単なる写実画にせず、観客が誤認する視点・距離・境界を設計する。","colors":["#4b3828","#b69261","#d8c8a9"],"motif":"material","pair":["skeuomorphism","glitch"],"study":["William Michael Harnett","illusionistic painting"],"collection":"Archive expansion 03","addedAt":"2026-08-17","reference":{"status":"verified","pageUrl":"https://www.nga.gov/artworks/50739-old-violin","credit":"William Michael Harnett, The Old Violin, 1886, National Gallery of Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Escaping%20criticism-by%20pere%20borrel%20del%20caso.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Escaping%20criticism-by%20pere%20borrel%20del%20caso.png","credit":"ボレル・デル・カソ『批評からの逃走』1874"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/William%20Michael%20Harnett%2C%20The%20Old%20Violin%2C%201886%2C%20NGA%2079531.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:William%20Michael%20Harnett%2C%20The%20Old%20Violin%2C%201886%2C%20NGA%2079531.jpg","credit":"ハーネット『古いヴァイオリン』1886"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Gijsbrechts%20Trompe%20l'oeil.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Gijsbrechts%20Trompe%20l'oeil.jpg","credit":"ヘイスブレヒツのトロンプ・ルイユ 17世紀"}]},"en":{"essence":"Hides the picture plane's boundary, aligning material, shadow and scale until you believe the thing is there.","cues":["Life size","Grounded shadows","Material rendering","Using the frame's edge"],"works":["An entrance of surprise for products and exhibitions","Making the boundary between screen and reality the subject"],"recipe":{"type":"Treat letters as painted objects too, or keep them outside the illusion","layout":"Place life-size objects and shadows rigorously on a single plane","material":"Wood, paper, metal, wear, light from one direction"},"avoid":"Not mere realism. Design the viewpoint, distance and boundary that make the viewer misread."}}