{"id":"travel-poster","no":324,"name":"Golden Age Travel Poster","ja":"旅行ポスターの黄金期","era":"1890s–1930s","family":"広告ポスター","kind":"スタイル","collection":"Dictionary expansion 16","addedAt":"2026-08-18","source":{"title":"Poster House","url":"https://posterhouse.org/"},"reference":{"status":"verified","pageUrl":"https://posterhouse.org/","credit":"Poster House","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oasis%20de%20Nefta.%20F%C3%A9d%C3%A9ration%20des%20syndicats%20d'initiative%20de%20Tunisie.%20PLM%20affiche%2C%20J.%20de%20La%20N%C3%A9zi%C3%A8re%201925.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oasis%20de%20Nefta.%20F%C3%A9d%C3%A9ration%20des%20syndicats%20d'initiative%20de%20Tunisie.%20PLM%20affiche%2C%20J.%20de%20La%20N%C3%A9zi%C3%A8re%201925.jpg","credit":"PLM『ネフタのオアシス』1925"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Brightest%20London%20is%20best%20reached%20by%20Underground%2C%20subway%20poster%2C%201924.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Brightest%20London%20is%20best%20reached%20by%20Underground%2C%20subway%20poster%2C%201924.jpg","credit":"ロンドン地下鉄ポスター 1924"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Chemin%20de%20Fer%20du%20Nord.%20Casino%20de%20Boulogne%20sur%20mer.%2024%20express%20par%20jour.%203hres%20de%20Paris%20affiche%2C%20H.%20Gray.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Chemin%20de%20Fer%20du%20Nord.%20Casino%20de%20Boulogne%20sur%20mer.%2024%20express%20par%20jour.%203hres%20de%20Paris%20affiche%2C%20H.%20Gray.jpg","credit":"北部鉄道のポスター"}]},"essence":"鉄道と船舶会社が競った石版の観光ポスター。目的地を理想化した風景画、装飾的レタリング、路線名の誇りが、旅そのものを欲望の画像として発明した。","cues":["理想化された風景","石版の平面的彩色","装飾レタリング","鉄道・船社のロゴ"],"intents":["高揚","懐かしさ","高級"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["art-deco","circus-poster"],"study":["PLMとフランスの鉄道ポスター","ロンドン地下鉄のパトロネージ","カッサンドルによる幾何学化"],"en":{"essence":"The lithographed tourism posters railways and shipping lines competed with: idealized destination landscapes, ornamental lettering and proud route names inventing travel itself as an image of desire.","cues":["Idealized landscapes","Flat lithographic color","Ornamental lettering","Railway and line insignia"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["the PLM and French railway posters","London Underground's patronage","Cassandre's geometrization"]}}