{"id":"transavantgarde","no":706,"name":"Transavantgarde","ja":"トランスアヴァングァルディア","era":"late 1970s–1980s","family":"近現代美術運動","kind":"スタイル","essence":"1970年代末のイタリアで、コンセプチュアル・アートの非物質性から離れ、神話、古典、個人的記号、激しい筆触を絵画へ戻した潮流。歴史を直線的に前進させず、複数の時代の図像を主観的に横断する。","cues":["神話的人物、動物、仮面を大きく単純化","厚い筆触と土色・原色の衝突","古典、民俗、個人的記号を同じ画面へ置く","遠近を崩した孤立人物と象徴的な背景"],"intents":["反骨","高揚","懐かしさ"],"pair":["neo-expressionism","return-to-order"],"study":["Achille Bonito Oliva and the term Transavanguardia","Sandro Chia, Francesco Clemente and Enzo Cucchi","the return to painting in late-1970s Italy"],"works":["古典や神話の図像を、復古ではなく個人的な記号として再配置するとき","1980年代の絵画回帰をドイツや米国のNeo-Expressionismと比較するとき"],"recipe":{"type":"古典的なセリフと手書き語を一つずつ使い、引用元を注記する。","layout":"孤立した人物または動物を中央からずらし、時代の異なる記号を浅い背景へ散らす。","material":"粗いキャンバスへ厚い土色、赤、青を重ね、輪郭を描き直した跡を残す。"},"avoid":"表現主義的な筆触だけで判断しない。イタリアの文脈、歴史引用、コンセプチュアル・アートからの転換を示す。","colors":["#A84732","#C2944F","#3B5064"],"motif":"myth","collection":"Dictionary expansion 40","addedAt":"2026-08-23","source":{"title":"Tate — Art Terms: Transavanguardia","url":"https://www.tate.org.uk/art/art-terms/t/transavanguardia"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/t/transavanguardia","credit":"Tate — Art Terms: Transavanguardia"},"en":{"essence":"A late-1970s Italian return to painting that crossed myth, classicism, personal signs, and forceful brushwork after Conceptual art, treating history as a subjective field that can be entered from several eras at once.","cues":["Large simplified mythic figures, animals, and masks","Thick marks colliding earth color with primaries","Classical, folk, and private symbols together","Isolated figures in shallow or destabilized space"],"works":["Repositioning classical and mythic images as private signs rather than revival","Comparing Italy's return to painting with German and American Neo-Expressionism"],"recipe":{"type":"Use one classical serif and one handwritten phrase, citing every quotation.","layout":"Offset an isolated figure or animal and scatter signs from different eras across a shallow ground.","material":"Layer thick earth, red, and blue on rough canvas and preserve redrawn contours."},"avoid":"Expressionist brushwork alone does not identify it. Keep the Italian context, historical quotation, and turn away from Conceptual art.","study":["Achille Bonito Oliva and the term Transavanguardia","Sandro Chia, Francesco Clemente and Enzo Cucchi","the return to painting in late-1970s Italy"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}