{"id":"tiki","no":413,"name":"Tiki Style","ja":"ティキ・スタイル","era":"1934–1960s / revival","family":"ポップ","kind":"世界観","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"Aesthetics Wiki — Tiki","url":"https://aesthetics.fandom.com/wiki/Tiki"},"reference":{"status":"verified","pageUrl":"https://aesthetics.fandom.com/wiki/Tiki","credit":"Aesthetics Wiki — Tiki","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Menu%2C%20Trader%20Vic%2C%20Oakland%20(cover)%20(12001586684).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Menu%2C%20Trader%20Vic%2C%20Oakland%20(cover)%20(12001586684).jpg","credit":"トレーダー・ヴィックスのメニュー表紙 — Wikimedia Commons / No restrictions"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Havana%20-%20Trader%20Vic's%2C%20Habana%20Hilton.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Havana%20-%20Trader%20Vic's%2C%20Habana%20Hilton.jpg","credit":"ハバナ・ヒルトンのトレーダー・ヴィックス 1958 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/LA%20Speakeasy%20Tiki%20Mugs.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:LA%20Speakeasy%20Tiki%20Mugs.jpg","credit":"ティキ・マグ — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"米国のバーとレストランが空想したポリネシア。彫像・竹・トーチ・マイタイのグラスが戦後の逃避願望を様式化した。太平洋諸文化の借用の歴史を含めて読むべき、幻想の南洋。","cues":["ティキ彫像のモチーフ","竹とラタンの内装","トーチと火","トロピカルカクテルの器"],"intents":["遊び","懐かしさ","高揚"],"works":["酒場や飲食店の内装を、外の日常から切り離した空間にするとき","飲み物ごとに器を変える品書きを、体験として設計するとき"],"recipe":{"type":"品書きの文字は彫りの効いた木彫風にし、行を詰めて並べる","layout":"窓を潰して外光を断ち、天井を低く感じさせる高さで組む","material":"竹と籐と焦がした木を重ね、灯りは炎と色ガラスだけにする"},"avoid":"実在するポリネシア・ミクロネシア文化と混同しない。これは米国の空想であり、出所を隠して内装として扱えば店の姿勢が問われる。","colors":["#f2e0ad","#64aa88","#20170e"],"motif":"graphic","pair":["googie","tapa"],"study":["ドン・ザ・ビーチコマー 1934","スヴェン・カーステン『The Book of Tiki』","太平洋文化の借用への批評"],"en":{"essence":"The Polynesia dreamed up by American bars and restaurants. Carved figures, bamboo, torches and mai tai glasses gave style to a postwar wish to escape. It is an imaginary South Seas, and it should be read together with its history of borrowing from Pacific cultures.","cues":["Tiki-carving motifs","Bamboo and rattan interiors","Torches and flame","Tropical drink vessels"],"works":["Bar and restaurant interiors sealed off from the day outside","Drink menus designed as experience, each cocktail given its own vessel"],"recipe":{"type":"Menu lettering carved-looking like wood, lines set close together","layout":"Windows blocked to kill daylight, ceilings built to feel low","material":"Bamboo, rattan and charred wood, lit only by flame and colored glass"},"avoid":"This is an American fantasy and not the living Polynesian and Micronesian cultures it borrows from, so hiding where the motifs came from and treating them as decor puts the venue in question.","study":["Don the Beachcomber, 1934","Sven Kirsten's The Book of Tiki","the critique of Pacific appropriation"]},"links":{"page":"https://indexstyle.org/styles/tiki","json":"https://indexstyle.org/api/styles/tiki","designSpec":"https://indexstyle.org/styles/tiki/design.md","imagePrompt":"https://indexstyle.org/styles/tiki/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}