{"id":"tableau-photography","no":97,"name":"Tableau Photography","ja":"タブロー写真","era":"1970s","family":"写真運動","kind":"スタイル","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"Tate, Art Terms: Tableau","url":"https://www.tate.org.uk/art/art-terms/t/tableau"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/t/tableau","credit":"Tate, Art Terms: Tableau","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/King%20Lear%20Alotting%20His%20Kingdom%20to%20His%20Three%20Daughters%20MET%20DP295205.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:King%20Lear%20Alotting%20His%20Kingdom%20to%20His%20Three%20Daughters%20MET%20DP295205.jpg","credit":"キャメロン『リア王と三人の娘』1872 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Day%2C%20Fred%20Holland%20(1864%E2%80%931933)%20-%20Edward%20Carpenter.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Day%2C%20Fred%20Holland%20(1864%E2%80%931933)%20-%20Edward%20Carpenter.jpg","credit":"F・ホランド・デイによる演出肖像 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/The%20Whisper%20of%20the%20Muse%2C%20by%20Julia%20Margaret%20Cameron.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:The%20Whisper%20of%20the%20Muse%2C%20by%20Julia%20Margaret%20Cameron.jpg","credit":"キャメロン『ミューズのささやき』1865 — Wikimedia Commons / Public domain"}]},"essence":"撮る前に場面を組み立て、絵画のように壁へ掛ける一枚へ収める。人物は見る者の存在に気づかないまま演じる。","cues":["壁に掛ける大判の一枚","こちらを見ない人物","隅まで作り込んだ室内や街路","映画から借りた照明"],"intents":["反骨","高級","遊び"],"works":["広告やニュース画像の型を、撮り直して疑わせたいとき","一枚に物語を仕込み、記録ではなく作品として展示するとき"],"recipe":{"type":"画面内の文字も小道具として作り、既存の書体をそのまま流用しない","layout":"視線と手の位置まで決めて、絵画のように前もって配置を固める","material":"組んだ背景や模型、映画用の照明、大判での撮影と大きな引き伸ばし"},"avoid":"自然な記録に見えるよう整えるだけでは、写真が現実を記録するという前提は揺らがず、場面を構築した意味そのものが消える。","colors":["#e4ddd2","#92705e","#2c2623"],"motif":"photo","pair":["pictorialism","photomontage"],"study":["Cindy Sherman","Jeff Wall","Thomas Demand"],"en":{"essence":"Assembles the scene before the shutter and holds it in a single print made to hang like a painting, its figures acting as if no viewer were there.","cues":["A single large print made to hang","Figures who never look back at you","Interiors and streets built to the last corner","Lighting borrowed from cinema"],"works":["Restaging the conventions of advertising or news images to cast doubt on them","Building a story into one frame meant for exhibition, not for record"],"recipe":{"type":"Make the text in the frame as a prop rather than borrowing a typeface","layout":"Fix gaze and hand positions in advance and block the frame like a painting","material":"Built sets or models, cinematic lighting, large format shot and printed big"},"avoid":"Staging that only imitates a natural record leaves the assumption that photographs record reality untouched, and the whole reason for constructing the scene disappears.","study":["Cindy Sherman","Jeff Wall","Thomas Demand"]}}