{"id":"synchromism","no":485,"name":"Synchromism","ja":"シンクロミズム","era":"1912–1918","family":"幾何学抽象","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Synchromism","url":"https://en.wikipedia.org/wiki/Synchromism"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Synchromism","credit":"Wikipedia — Synchromism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Stanton%20Macdonald-Wright%20-%20Synchromy%20No.%203%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Stanton%20Macdonald-Wright%20-%20Synchromy%20No.%203%20-%20Google%20Art%20Project.jpg","credit":"Stanton Macdonald-Wright《シンクロミー第3番》— Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/%22Conception.%22%20Synchromy%2C%20by%20Stanton%20Macdonald-Wright.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:%22Conception.%22%20Synchromy%2C%20by%20Stanton%20Macdonald-Wright.jpg","credit":"Stanton Macdonald-Wright《Conception, Synchromy》— Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Stanton%20Macdonald-Wright%E2%80%94Sunrise%20Synchromy%20in%20Violet%E2%80%941918.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Stanton%20Macdonald-Wright%E2%80%94Sunrise%20Synchromy%20in%20Violet%E2%80%941918.jpg","credit":"Stanton Macdonald-Wright《日の出のシンクロミー（紫）》1918 — Wikimedia Commons / Public domain"}]},"essence":"音楽の和声に倣って色そのものを構造にするとした、アメリカ発の最初の抽象運動。スペクトル順に配置した色面が回転しながら奥行きを生み、形は色のあとに従う。「シンクロミー（色の交響）」という作品名がそのまま綱領だった。","cues":["スペクトル順に並ぶ色面","渦を巻く構成","色による奥行きの生成","音楽になぞらえた題名"],"intents":["高揚","技術","未来"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["orphism","color-field-painting"],"study":["マクドナルド＝ライトとラッセルの理論","オルフィスムとの同時性論争","色彩と音楽の対応表"],"en":{"essence":"The first abstract movement to originate in America, holding that colour itself could be structure on the analogy of musical harmony. Planes laid out in spectral order rotate and generate depth, and form follows colour rather than preceding it. The work titles, Synchromies or chords of colour, were the programme itself.","cues":["Planes ordered along the spectrum","A composition that turns in a vortex","Depth generated by colour alone","Titles borrowed from music"],"works":["Colour systems for music platforms, festivals and audio hardware, which need chromatic energy and have no imagery to lean on","Motion graphics in which hue rotation rather than the movement of objects carries depth and rhythm"],"recipe":{"type":"A geometric sans in one weight, set small; the title names the piece and the colour does the speaking.","layout":"A spiral of overlapping planes around a slightly displaced centre, warm hues advancing and cool receding, with no drawn outline anywhere.","material":"Saturated unmixed pigment at even opacity, so no plane comes forward merely because it is denser than its neighbour."},"avoid":"Adding a keyline to hold the shapes together: as soon as an outline carries the structure, colour stops doing the work and the whole premise is void.","study":["The theory of Macdonald-Wright and Russell","The dispute with Orphism over simultaneity","Tables of correspondence between colour and music"]}}