{"id":"symbolism","no":467,"name":"Symbolism","ja":"象徴主義","era":"1886–1910","family":"象徴と装飾","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Symbolism","url":"https://www.tate.org.uk/art/art-terms/s/symbolism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/s/symbolism","credit":"Tate — Art Terms: Symbolism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Gustave%20Moreau%20-%20The%20Apparition%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Gustave%20Moreau%20-%20The%20Apparition%20-%20Google%20Art%20Project.jpg","credit":"Gustave Moreau《出現》1876頃 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Fernand%20Khnopff%20-%20Caresses%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Fernand%20Khnopff%20-%20Caresses%20-%20Google%20Art%20Project.jpg","credit":"Fernand Khnopff《愛撫》1896 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Odilon%20Redon%20-%20Closed%20Eyes%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Odilon%20Redon%20-%20Closed%20Eyes%20-%20Google%20Art%20Project.jpg","credit":"Odilon Redon《閉じた眼》1890 — Wikimedia Commons / Public domain"}]},"essence":"外界の描写ではなく、夢・神話・観念を暗示する形と色で内面を可視化しようとした国際運動。曖昧な輪郭、閉じた瞳、装飾化された植物と紋様が、意味を明示せず気配として置かれる。世紀末のポスターと書物装飾の語彙をつくった。","cues":["夢と神話の主題","曖昧に溶ける輪郭","装飾化された植物と紋様","くすんだ深い色域"],"intents":["親密","高級"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["art-nouveau","les-nabis"],"study":["文学象徴主義との往復","世紀末の書物装飾","装飾と意味の距離の取り方"],"en":{"essence":"An international movement that sought to visualise the inner life through forms and colours suggesting dream, myth and idea, rather than describing the outer world. Blurred contours, closed eyes, ornamentalised plants and emblems are placed as presences whose meaning is never spelled out. It created the vocabulary of fin-de-siècle posters and book decoration.","cues":["Subjects of dream and myth","Contours that dissolve into vagueness","Ornamentalised plants and emblems","A deep, muted colour range"],"works":["Book covers and album art that trade in mood and suggestion rather than statement","Fragrance, wine or literary branding wrapped in myth and reverie"],"recipe":{"type":"Elongated fin-de-siècle serifs or hand-drawn titling with vegetal terminals","layout":"Centred, icon-like figures veiled by ornament; borders of stylised plants closing the frame","material":"Deep muted purples, greens and golds; smoky gradients that dissolve contour"},"avoid":"Avoid explaining the image; once the symbol is decoded into a single stated meaning, the atmosphere of suggestion evaporates.","study":["The exchange with literary Symbolism","Fin-de-siècle book decoration","How to keep a distance between ornament and meaning"]}}