{"id":"swedish-grace","no":309,"name":"Swedish Grace","ja":"スウェディッシュ・グレース","era":"1917–1930","family":"北欧デザイン","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"Nationalmuseum, Sweden","url":"https://www.nationalmuseum.se/en/"},"reference":{"status":"verified","pageUrl":"https://www.nationalmuseum.se/en/","credit":"Nationalmuseum, Sweden","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Rhythm%20vase%20-%20Niels%20Tove%20Edward%20Hald%20(39639374521).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Rhythm%20vase%20-%20Niels%20Tove%20Edward%20Hald%20(39639374521).jpg","credit":"ハルドのガラス（CC BY-SA 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Stadsbiblioteket%20Asplund%201931.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Stadsbiblioteket%20Asplund%201931.jpg","credit":"アスプルンド ストックホルム市立図書館 1931"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Stockholm%20Concert%20Hall%20during%20summer%201925.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Stockholm%20Concert%20Hall%20during%20summer%201925.jpg","credit":"ストックホルム・コンサートホール 1925"}]},"essence":"両大戦間のスウェーデンで、新古典主義の端正さに軽やかな装飾と職人技を重ねた様式。ハルドのガラス、アスプルンドの建築が「優美な近代」を示し、後の北欧モダンの助走になった。","cues":["端正な新古典の骨格","軽やかな線刻装飾","ガラスと磁器の繊細さ","簡素と優美の均衡"],"intents":["高級","静けさ","親密"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"world","pair":["scandinavian-modern","art-deco"],"study":["エドワード・ハルド","グンナール・アスプルンド","1930年ストックホルム博での機能主義への転回"],"en":{"essence":"Interwar Sweden's style laying light ornament and craft over neoclassical poise — Hald's glass, Asplund's buildings showing a graceful modernity that became the runway for Scandinavian modern.","cues":["Neoclassical bones","Light engraved ornament","Delicacy in glass and porcelain","Balance of plainness and grace"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Edward Hald","Gunnar Asplund","the turn to functionalism at Stockholm 1930"]}}