{"id":"swedish-grace","no":279,"name":"Swedish Grace","ja":"スウェディッシュ・グレース","era":"1917–1930","family":"北欧デザイン","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"Nationalmuseum, Sweden","url":"https://www.nationalmuseum.se/en/"},"reference":{"status":"verified","pageUrl":"https://www.nationalmuseum.se/en/","credit":"Nationalmuseum, Sweden","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Rhythm%20vase%20-%20Niels%20Tove%20Edward%20Hald%20(39639374521).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Rhythm%20vase%20-%20Niels%20Tove%20Edward%20Hald%20(39639374521).jpg","credit":"ハルドのガラス（CC BY-SA 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Stadsbiblioteket%20Asplund%201931.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Stadsbiblioteket%20Asplund%201931.jpg","credit":"アスプルンド ストックホルム市立図書館 1931 — Wikimedia Commons / Public domain"}]},"essence":"両大戦間のスウェーデンで、新古典主義の端正さに軽やかな装飾と職人技を重ねた様式。ハルドのガラス、アスプルンドの建築が「優美な近代」を示し、後の北欧モダンの助走になった。","cues":["端正な新古典の骨格","軽やかな線刻装飾","ガラスと磁器の繊細さ","簡素と優美の均衡"],"intents":["高級","静けさ","親密"],"works":["公共建築や食器を、新古典の骨格で軽く優美にまとめるとき","職人技を見せたい少量生産の器物を、簡素に整えるとき"],"recipe":{"type":"銘や見出しは細いローマン体の大文字で、字間を広く取る","layout":"柱と開口の間隔を古典の比で決め、装飾を輪郭の位置だけに置く","material":"薄いガラスと磁器に線刻を施し、白と淡色で仕上げる"},"avoid":"装飾を足しすぎると重い新古典に戻り、簡素と優美の均衡が崩れて時代がかった調度に見える","colors":["#dcd2c6","#9ea063","#2c2c29"],"motif":"world","pair":["scandinavian-modern","art-deco"],"study":["エドワード・ハルド","グンナール・アスプルンド","1930年ストックホルム博での機能主義への転回"],"en":{"essence":"Between the wars, Sweden laid light ornament and craftsmanship over neoclassical poise. Hald's glass and Asplund's buildings showed a graceful modernity that gave Scandinavian modern its running start.","cues":["Neoclassical bones","Light engraved ornament","Delicacy in glass and porcelain","Balance of plainness and grace"],"works":["Public buildings and tableware given neoclassical bones and a light grace","Small runs where craftsmanship must show inside a plain form"],"recipe":{"type":"Thin roman capitals, generously letterspaced, for inscriptions and titles","layout":"Set columns and openings by classical proportion, ornament only at the edges","material":"Thin glass and porcelain with engraved line, finished pale"},"avoid":"Too much ornament falls back into heavy neoclassicism, the balance of plainness and grace collapses, and the object looks merely period.","study":["Edward Hald","Gunnar Asplund","the turn to functionalism at Stockholm 1930"]},"links":{"page":"https://indexstyle.org/styles/swedish-grace","json":"https://indexstyle.org/api/styles/swedish-grace","designSpec":"https://indexstyle.org/styles/swedish-grace/design.md","imagePrompt":"https://indexstyle.org/styles/swedish-grace/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}