{"id":"surrealism","no":290,"name":"Surrealism","ja":"シュルレアリスム","era":"1924–1950s","family":"前衛","kind":"スタイル","collection":"Dictionary expansion 16","addedAt":"2026-08-18","source":{"title":"MoMA — Surrealism","url":"https://www.moma.org/collection/terms/surrealism"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/surrealism","credit":"MoMA — Surrealism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ernst%20max%20habakuk%20d%C3%BCsseldorf.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ernst%20max%20habakuk%20d%C3%BCsseldorf.jpg","credit":"Max Ernst《ハバクク》デュッセルドルフ — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Max%20Ernst%20Der%20Assistent-Der%20Frosch-Die%20Schildkroete%201967.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Max%20Ernst%20Der%20Assistent-Der%20Frosch-Die%20Schildkroete%201967.jpg","credit":"Max Ernst《助手・蛙・亀》1967 — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Max%20ernst%20habakuk%20d%C3%BCsseld.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Max%20ernst%20habakuk%20d%C3%BCsseld.jpg","credit":"Max Ernst《ハバクク》— Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"夢と無意識の論理で現実の物同士を異常に出会わせる運動。デペイズマン（置き違え）の手法は絵画から写真・映画・広告へ広がり、視覚表現の「ありえない隣接」の文法になった。","cues":["デペイズマン","夢の遠近法","物体の変容","精密描写と不条理の同居"],"intents":["反骨","遊び","静けさ"],"works":["広告や表紙で、見た瞬間に説明を求めさせる図を作るとき","夢や無意識を主題にした物語の、視覚化を担うとき"],"recipe":{"type":"説明文を置かず、題名だけを画面の外に静かに添える","layout":"地平線を一本通し、物を実物の縮尺から外して置き換える","material":"写実的な描写と滑らかな仕上げで、異常さを技術で支える"},"avoid":"奇妙な組み合わせを数だけ増やすと、一つ一つの違和感が薄まり、装飾的な合成写真になる","colors":["#f0eff1","#6f8069","#070607"],"motif":"graphic","pair":["dada","german-expressionism-film"],"study":["アンドレ・ブルトンの宣言","マグリットと広告の相互浸透","写真のシュルレアリスム（アジェ再発見）"],"en":{"essence":"The movement that forced reality's objects into impossible meetings under the logic of dream and the unconscious. Dépaysement spread from painting into photography, film and advertising as the grammar of impossible adjacency.","cues":["Dépaysement","Dream perspective","Objects transformed","Precision serving absurdity"],"works":["Advertising and covers that make the viewer demand an explanation instantly","Carrying the visual side of a story about dream and the unconscious"],"recipe":{"type":"No explanatory copy, only a quiet title outside the frame","layout":"Hold one horizon and displace objects out of their true scale","material":"Realist rendering and smooth finish, so technique carries the strangeness"},"avoid":"Multiplying strange combinations dilutes each individual shock, and the result is merely a decorative photomontage.","study":["Breton's manifestos","Magritte and advertising's mutual seepage","surrealist photography and the rediscovery of Atget"]},"links":{"page":"https://indexstyle.org/styles/surrealism","json":"https://indexstyle.org/api/styles/surrealism","designSpec":"https://indexstyle.org/styles/surrealism/design.md","imagePrompt":"https://indexstyle.org/styles/surrealism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}