{"id":"supergraphics","no":239,"name":"Supergraphics","ja":"スーパーグラフィックス","era":"1966–1970s","family":"サインとディスプレイ","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"SFMOMA — Barbara Stauffacher Solomon","url":"https://www.sfmoma.org/exhibition/barbara-stauffacher-solomon/"},"reference":{"status":"verified","pageUrl":"https://www.sfmoma.org/exhibition/barbara-stauffacher-solomon/","credit":"SFMOMA — Barbara Stauffacher Solomon","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Locker%20Room%20at%20Sea%20Ranch%E2%80%99s%20Moonraker%20Athletic%20Center.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Locker%20Room%20at%20Sea%20Ranch%E2%80%99s%20Moonraker%20Athletic%20Center.jpg","credit":"ソロモン シーランチのスーパーグラフィックス（CC BY 4.0）"}]},"essence":"建築の壁面を超えるスケールで幾何学図形と文字を描き、空間の知覚そのものを変える環境グラフィック。ソロモンがシーランチで確立し、スイス・タイポグラフィとカリフォルニアの大胆さを接合した。","cues":["建築を横断する図形","壁を曲がる文字","原色の大面積","空間知覚の操作"],"intents":["高揚","遊び","技術"],"works":["予算をかけずに、広く単調な空間の性格と方向感を変えたいとき","複数階にまたがる動線を、壁の図形で一続きに見せるとき"],"recipe":{"type":"文字は建築寸法から起こし、階高いっぱいまで大きくする","layout":"図形を壁から床と天井へ回し、角で切らずに続ける","material":"原色の塗装を大面積で、素材の違いを塗りつぶして統一する"},"avoid":"壁の図形が扉や設備の位置と噛み合わないと、面の連続が途切れ、大きく塗っただけの装飾に落ちる","colors":["#fdfdfe","#9c2315","#1c0603"],"motif":"display","pair":["swiss","googie"],"study":["バーバラ・スタウファー・ソロモン","シーランチ","環境グラフィックデザインへの系譜"],"en":{"essence":"Environmental graphics at a scale that overruns the wall, bending geometry and letters around architecture to alter spatial perception itself. Solomon fused Swiss typography with Californian boldness at Sea Ranch.","cues":["Shapes crossing the architecture","Letters turning corners","Large fields of primary color","Perception manipulated"],"works":["Changing the character and orientation of a large plain space cheaply","Making circulation across several floors read as one continuous move"],"recipe":{"type":"Size letters from the architecture and let them fill the floor height","layout":"Wrap shapes from wall onto floor and ceiling, continuing through corners","material":"Large fields of primary paint that override differences in substrate"},"avoid":"When the shapes fail to reckon with doors and services, the continuity of the surface breaks and the work drops to paint applied at scale.","study":["Barbara Stauffacher Solomon","The Sea Ranch","the lineage into environmental graphic design"]},"links":{"page":"https://indexstyle.org/styles/supergraphics","json":"https://indexstyle.org/api/styles/supergraphics","designSpec":"https://indexstyle.org/styles/supergraphics/design.md","imagePrompt":"https://indexstyle.org/styles/supergraphics/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}