{"id":"superflat","no":86,"name":"Superflat","ja":"スーパーフラット","era":"2000s–","family":"日本の戦後前衛","kind":"スタイル","collection":"Dictionary expansion 04","addedAt":"2026-08-17","source":{"title":"MOCA — Takashi Murakami","url":"https://mcachicago.org/Exhibitions/2017/Takashi-Murakami-The-Octopus-Eats-Its-Own-Leg"},"reference":{"status":"verified","pageUrl":"https://mcachicago.org/Exhibitions/2017/Takashi-Murakami-The-Octopus-Eats-Its-Own-Leg","credit":"MOCA — Takashi Murakami","gallery":[{"imageUrl":"https://live.staticflickr.com/5001/5338167205_9b1ef406f4_b.jpg","pageUrl":"https://www.flickr.com/photos/61533954@N00/5338167205","credit":"村上隆 ヴェルサイユ宮殿鏡の間の展示 撮影: Dimitry B（CC BY 2.0）"},{"imageUrl":"https://live.staticflickr.com/4133/5214034952_6682ec4753_b.jpg","pageUrl":"https://www.flickr.com/photos/72746018@N00/5214034952","credit":"村上隆 ヴェルサイユ展 撮影: dalbera（CC BY 2.0）"}]},"essence":"アニメ、漫画、広告、伝統絵画を平面的な画面へ並置し、高級芸術と消費文化の境界を問い直す。","cues":["極端な平面性","鮮色","反復キャラクター","商業文化"],"intents":["遊び","反骨","高揚"],"works":["大衆文化を主題にした展示と物販へ、同じ絵を等しく載せるとき","キャラクターを反復させ、装飾の面として画面全体を埋めるとき"],"recipe":{"type":"文字も絵と同じ輪郭線で描き、影を付けずに面へ溶かす","layout":"遠近を捨てて全面を等価に埋め、前後の差は重なりだけで示す","material":"均一な塗り、蛍光を含む鮮やかな色、光沢のある仕上げ"},"avoid":"アニメ風のキャラクター表現一般と混同せず、消費文化への批評性を確認する。","colors":["#f7d52c","#ec4f8d","#43a9df"],"motif":"pop","pair":["pop-art","anime-style"],"study":["Takashi Murakami","Hiropon Factory","postwar Japanese visual culture"],"en":{"essence":"Juxtaposes anime, manga, advertising and traditional painting on one flat plane, questioning the border of high art and consumer culture.","cues":["Extreme flatness","Vivid color","Repeated characters","Commercial culture"],"works":["Exhibitions and merchandise that must carry the same image on equal terms","Repeating a character until it fills the whole field as ornament"],"recipe":{"type":"Letters share the drawing outline and sit flat without shadow","layout":"Abandon perspective, fill the field evenly, show depth only by overlap","material":"Even fills, vivid color including fluorescents, a glossy finish"},"avoid":"Lining up cute symbols drops the argument that set high art against consumer culture, and all that remains is product illustration.","study":["Takashi Murakami","Hiropon Factory","postwar Japanese visual culture"]},"links":{"page":"https://indexstyle.org/styles/superflat","json":"https://indexstyle.org/api/styles/superflat","designSpec":"https://indexstyle.org/styles/superflat/design.md","imagePrompt":"https://indexstyle.org/styles/superflat/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}