{"id":"suminagashi","no":506,"name":"Suminagashi","ja":"墨流し","era":"12th century–","family":"紙の装飾","kind":"技法","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Wikipedia — Suminagashi","url":"https://en.wikipedia.org/wiki/Suminagashi"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Suminagashi","credit":"Wikipedia — Suminagashi","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/36poets%20collection%20Turayuki%201stVol.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:36poets%20collection%20Turayuki%201stVol.JPG","credit":"西本願寺本三十六人家集『貫之集』上巻 墨流し料紙 12世紀初頭 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/ShinKokin%20Wakash%C5%AB%20su%20suminagashi%20XIII%20secolo.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:ShinKokin%20Wakash%C5%AB%20su%20suminagashi%20XIII%20secolo.png","credit":"『新古今和歌集』墨流し料紙の書 13世紀 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Franz%20Bartsch%20Suminagashi%2012%2005316.tif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Franz%20Bartsch%20Suminagashi%2012%2005316.tif","credit":"日本の色紙・墨流し（フランツ・バルチュ紙コレクション、ドイツ国立図書館） — Wikimedia Commons / CC0"}]},"essence":"水面に落とした墨が広がる同心円を、息や筆で乱してから紙へ写し取る技法。一枚ごとに現れる流れは再現できず、平安の料紙装飾から現代の装丁まで、偶然を意図的に招き入れる方法として続いている。","cues":["同心円が乱れた流線","墨の濃淡による層","一枚ごとに異なる紋様","水面の張力が残る縁"],"intents":["静けさ","親密","技術"],"works":["同じ紙が二枚とない地をつくる","静けさと偶然を同時に扱う面をつくる"],"recipe":{"type":"文字は流れを避けて置き、地と競わせない","layout":"流線の向きを決め、紙の縦横に対して斜めに走らせる","material":"水面に墨と界面活性剤を交互に落とし、息で乱す"},"avoid":"完全に制御しようとすると死んだ模様になる。偶然を残す範囲を先に決める。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["paper-marbling","ebru"],"study":["平安期の料紙装飾","西洋マーブリングとの技法差","現代の装丁における使用"],"en":{"essence":"A technique in which concentric rings of ink dropped on the surface of water are disturbed by breath or brush and then lifted onto paper. The flow that appears on each sheet cannot be repeated, and from Heian period decorated papers to contemporary bookbinding it has continued as a method for inviting chance on purpose.","cues":["Streamlines of disturbed concentric rings","Layers made by the density of the ink","A pattern different on every sheet","Edges that keep the tension of the water surface"],"works":["Making a ground of which no two sheets are the same","Making a surface that handles quiet and chance at once"],"recipe":{"type":"Place type clear of the flow and do not let it compete with the ground.","layout":"Fix the direction of the streamlines and run them diagonally to the edges of the sheet.","material":"Drop ink and surfactant alternately onto the water and disturb them with your breath."},"avoid":"Trying to control it completely produces a dead pattern. Decide in advance how much room chance is given.","study":["Decorated papers of the Heian period","How the technique differs from Western marbling","Its use in contemporary bookbinding"]}}