{"id":"sumi-e","no":82,"name":"Sumi-e","ja":"水墨画","era":"Tang dynasty–present","family":"東アジア絵画","kind":"技法","source":{"title":"The Met — Haboku Landscape","url":"https://www.metmuseum.org/art/collection/search/45650"},"credit":"Sesshū Tōyō, Haboku Landscape, 1495","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Sesshu%20-%20Haboku-Sansui.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Sesshu%20-%20Haboku-Sansui.jpg","credit":"雪舟『破墨山水図』1495"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hasegawa%20Tohaku%2C%20Pine%20Trees%20-%20low%20resolution.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hasegawa%20Tohaku%2C%20Pine%20Trees%20-%20low%20resolution.jpg","credit":"長谷川等伯『松林図屏風』16世紀"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Sessh%C5%AB%20T%C5%8Dy%C5%8D%20-%20Haboku%2C%20Splashed%20Ink%20Landscape%20-%201955.43%20-%20Cleveland%20Museum%20of%20Art.tiff?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Sessh%C5%AB%20T%C5%8Dy%C5%8D%20-%20Haboku%2C%20Splashed%20Ink%20Landscape%20-%201955.43%20-%20Cleveland%20Museum%20of%20Art.tiff","credit":"雪舟 破墨山水（クリーブランド美術館）"}],"essence":"墨の濃淡と余白だけで、対象の形よりも気配・速度・距離を残す。","cues":["墨の濃淡","かすれ","大きな余白","一筆の速度"],"intents":["静けさ","高級","親密"],"works":["少ない要素で気配と奥行きをつくる","静かなブランドや文化企画に呼吸を与える"],"recipe":{"type":"細い明朝か筆文字を限定的に","layout":"描かない領域を主役と同じだけ確保","material":"墨、生成り、吸い込み、にじみ"},"avoid":"黒いブラシ素材を置くだけにせず、筆順と余白の意味を設計する。","colors":["#eee9dc","#24231f","#8c887c"],"motif":"ink","pair":["minimalism","ukiyo-e"],"study":["Sesshū Tōyō","haboku"],"collection":"Archive expansion 03","addedAt":"2026-08-17","reference":{"status":"verified","pageUrl":"https://www.metmuseum.org/art/collection/search/45650","credit":"Sesshū Tōyō, Haboku Landscape, 1495","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Sesshu%20-%20Haboku-Sansui.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Sesshu%20-%20Haboku-Sansui.jpg","credit":"雪舟『破墨山水図』1495"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hasegawa%20Tohaku%2C%20Pine%20Trees%20-%20low%20resolution.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hasegawa%20Tohaku%2C%20Pine%20Trees%20-%20low%20resolution.jpg","credit":"長谷川等伯『松林図屏風』16世紀"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Sessh%C5%AB%20T%C5%8Dy%C5%8D%20-%20Haboku%2C%20Splashed%20Ink%20Landscape%20-%201955.43%20-%20Cleveland%20Museum%20of%20Art.tiff?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Sessh%C5%AB%20T%C5%8Dy%C5%8D%20-%20Haboku%2C%20Splashed%20Ink%20Landscape%20-%201955.43%20-%20Cleveland%20Museum%20of%20Art.tiff","credit":"雪舟 破墨山水（クリーブランド美術館）"}]},"en":{"essence":"With only ink gradations and emptiness, keeps a subject's presence, speed and distance rather than its shape.","cues":["Ink gradation","Dry-brush scratch","Vast emptiness","The speed of one stroke"],"works":["Presence and depth from few elements","Giving quiet brands and cultural projects room to breathe"],"recipe":{"type":"A light mincho or brush letters, sparingly","layout":"Reserve as much for the unpainted as for the subject","material":"Ink, unbleached paper, absorption, bleed"},"avoid":"Not a black brush texture dropped in. Design the stroke order and the meaning of the emptiness.","study":["Sesshū Tōyō","haboku"]}}