{"id":"stripped-classicism","no":459,"name":"Stripped Classicism","ja":"ストリップト・クラシシズム","era":"1920s–1950s","family":"近現代建築","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Stripped Classicism","url":"https://en.wikipedia.org/wiki/Stripped_Classicism"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Stripped_Classicism","credit":"Wikipedia — Stripped Classicism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Federal%20Triangle%20Buildings1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Federal%20Triangle%20Buildings1.jpg","credit":"ワシントンD.C. フェデラル・トライアングルの官庁群 — Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Palazzo%20della%20Civilt%C3%A0%20Italiana%20a%20EUR%20Roma%20cropped.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Palazzo%20della%20Civilt%C3%A0%20Italiana%20a%20EUR%20Roma%20cropped.jpg","credit":"パラッツォ・デッラ・チヴィルタ・イタリアーナ（ローマ EUR） — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"古典建築から装飾だけを削ぎ落とし、比例・軸線・柱の律動だけを残した官庁・記念建築の様式。装飾がないのに古典として読めることが、権威を語る低コストな手段になった。ミニマルと威圧が同居する例として重要。","cues":["装飾を削いだ柱の律動","強い軸線と対称","石の平滑な面","巨大な開口部のない壁"],"intents":["信頼","高級","静けさ"],"works":["庁舎や記念館の正面を、彫刻を足さず比例と対称だけで立たせたいとき","金融や法務のブランド表現で、要素を足さず永続性だけを語りたいとき"],"recipe":{"type":"ローマン体の大文字を壁面に彫り込み、字間を広く取って軸上に一度だけ置く","layout":"入口を中心軸に置き、柱を等間隔に並べ、壁とコーニスは切れ目なく左右対称に通す","material":"石灰岩か花崗岩の切石を平滑に磨き、目地は壁が一枚の面に見える細さにする"},"avoid":"装飾を抜いた分を大きさで補うと比例の調整が残らず、静けさが威圧に変わる。左右対称と無地の壁は、意図と関係なく権威を主張する。","colors":["#e5e4e3","#7e8992","#2a2a2a"],"motif":"graphic","pair":["italian-rationalism","art-deco"],"study":["両大戦間の官庁建築","権威表現としての比例","戦後の評価の変転"],"en":{"essence":"The manner of government and memorial building in which classical architecture is shorn of ornament, leaving only proportion, axis and the rhythm of the columns. That it still reads as classical without ornament made it a cheap means of speaking authority. Important as a case in which the minimal and the intimidating live together.","cues":["The rhythm of columns stripped of ornament","A strong axis and symmetry","Smooth planes of stone","Walls without large openings"],"works":["Institutional identity for courts, banks and archives, where permanence has to be signalled with almost no elements","A cautionary reference in brand work: the devices that read as timeless minimalism are the same ones that read as state power"],"recipe":{"type":"Incised roman capitals, widely spaced, centred on the axis and stated once only.","layout":"Bilateral symmetry with the entrance on the axis, a tall base, an unbroken wall and a heavy uninterrupted cornice line.","material":"Large ashlar limestone or granite, honed flat, with joints fine enough that the wall reads as one continuous surface."},"avoid":"Reaching for it because it looks austere and expensive: the symmetry and the blank wall make a claim of authority whether or not you intended one.","study":["Interwar government architecture","Proportion as an expression of authority","The turns in its reputation after the war"]},"links":{"page":"https://indexstyle.org/styles/stripped-classicism","json":"https://indexstyle.org/api/styles/stripped-classicism","designSpec":"https://indexstyle.org/styles/stripped-classicism/design.md","imagePrompt":"https://indexstyle.org/styles/stripped-classicism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}