{"id":"stripped-classicism","no":501,"name":"Stripped Classicism","ja":"ストリップト・クラシシズム","era":"1920s–1950s","family":"近現代建築","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Stripped Classicism","url":"https://en.wikipedia.org/wiki/Stripped_Classicism"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Stripped_Classicism","credit":"Wikipedia — Stripped Classicism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Federal%20Triangle%20Buildings1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Federal%20Triangle%20Buildings1.jpg","credit":"ワシントンD.C. フェデラル・トライアングルの官庁群 — Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Aerial%20view%20of%20Washington%2C%20D.C.%20The%20pie-shaped%20building%20to%20the%20left%20is%20the%20Federal%20Trade%20Commission%20Building%2C%20at%20the%20apex%20of%20the%20Federal%20Triangle%20LCCN2011633683.tif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Aerial%20view%20of%20Washington%2C%20D.C.%20The%20pie-shaped%20building%20to%20the%20left%20is%20the%20Federal%20Trade%20Commission%20Building%2C%20at%20the%20apex%20of%20the%20Federal%20Triangle%20LCCN2011633683.tif","credit":"フェデラル・トライアングル航空写真 — アメリカ議会図書館 / Public domain"}]},"essence":"古典建築から装飾だけを削ぎ落とし、比例・軸線・柱の律動だけを残した官庁・記念建築の様式。装飾がないのに古典として読めることが、権威を語る低コストな手段になった。ミニマルと威圧が同居する例として重要。","cues":["装飾を削いだ柱の律動","強い軸線と対称","石の平滑な面","巨大な開口部のない壁"],"intents":["信頼","高級","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["italian-rationalism","art-deco"],"study":["両大戦間の官庁建築","権威表現としての比例","戦後の評価の変転"],"en":{"essence":"The manner of government and memorial building in which classical architecture is shorn of ornament, leaving only proportion, axis and the rhythm of the columns. That it still reads as classical without ornament made it a cheap means of speaking authority. Important as a case in which the minimal and the intimidating live together.","cues":["The rhythm of columns stripped of ornament","A strong axis and symmetry","Smooth planes of stone","Walls without large openings"],"works":["Institutional identity for courts, banks and archives, where permanence has to be signalled with almost no elements","A cautionary reference in brand work: the devices that read as timeless minimalism are the same ones that read as state power"],"recipe":{"type":"Incised roman capitals, widely spaced, centred on the axis and stated once only.","layout":"Bilateral symmetry with the entrance on the axis, a tall base, an unbroken wall and a heavy uninterrupted cornice line.","material":"Large ashlar limestone or granite, honed flat, with joints fine enough that the wall reads as one continuous surface."},"avoid":"Reaching for it because it looks austere and expensive: the symmetry and the blank wall make a claim of authority whether or not you intended one.","study":["Interwar government architecture","Proportion as an expression of authority","The turns in its reputation after the war"]}}