{"id":"street-photography","no":115,"name":"Street Photography","ja":"ストリート写真","era":"late-1800s–","family":"写真ジャンル","kind":"スタイル","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — Street photography","url":"https://www.moma.org/collection/terms/street-photography"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/street-photography","credit":"MoMA — Street photography","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Atget%20-%20Boulevard%20de%20Strasbourg%20(Corsets)%2C%201975.1130.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Atget%20-%20Boulevard%20de%20Strasbourg%20(Corsets)%2C%201975.1130.jpg","credit":"アジェ『ストラスブール大通り（コルセット店）』1912"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Atget%20-%20Boulevard%20de%20Strasbourg.%201926%2C%201.1969.2453.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Atget%20-%20Boulevard%20de%20Strasbourg.%201926%2C%201.1969.2453.jpg","credit":"アジェ『ストラスブール大通り』1926"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Alfred%20Stieglitz%20Winter%20Fifth%20Avenue%201892.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Alfred%20Stieglitz%20Winter%20Fifth%20Avenue%201892.jpg","credit":"スティーグリッツ『冬の五番街』1893"}]},"essence":"街路や公共空間で、日常の偶然、身振り、都市の関係を即興的に捉える。","cues":["公共空間","決定的瞬間","偶然の配置","日常の人物"],"intents":["親密","反骨","高揚"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"人物を都市の小道具として扱わず、撮影の倫理、場所、被写体との距離を考える。","colors":["#ddd9cf","#8a5c45","#252422"],"motif":"photo","pair":["new-objectivity-photography","editorial-collage"],"study":["Lisette Model","Garry Winogrand","Helen Levitt"],"en":{"essence":"Catches accident, gesture and the city's relations on the fly, in streets and public space.","cues":["Public space","The decisive moment","Chance arrangement","Everyday figures"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"Don't treat people as urban props. Consider the ethics of shooting, the place, the distance to the subject.","study":["Lisette Model","Garry Winogrand","Helen Levitt"]}}