{"id":"staged-photography","no":116,"name":"Staged Photography","ja":"演出写真","era":"19th century– / 1970s revival","family":"写真ジャンル","kind":"技法","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — Sets, Stories, and Situations","url":"https://www.moma.org/collection/terms/photography/sets-stories-and-situations"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/photography/sets-stories-and-situations","credit":"MoMA — Sets, Stories, and Situations","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/King%20Lear%20Alotting%20His%20Kingdom%20to%20His%20Three%20Daughters%20MET%20DP295205.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:King%20Lear%20Alotting%20His%20Kingdom%20to%20His%20Three%20Daughters%20MET%20DP295205.jpg","credit":"キャメロン『リア王と三人の娘』1872"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Day%2C%20Fred%20Holland%20(1864%E2%80%931933)%20-%20Edward%20Carpenter.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Day%2C%20Fred%20Holland%20(1864%E2%80%931933)%20-%20Edward%20Carpenter.jpg","credit":"F・ホランド・デイによる演出肖像"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/The%20Whisper%20of%20the%20Muse%2C%20by%20Julia%20Margaret%20Cameron.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:The%20Whisper%20of%20the%20Muse%2C%20by%20Julia%20Margaret%20Cameron.jpg","credit":"キャメロン『ミューズのささやき』1865"}]},"essence":"場面、人物、小道具、光を撮影前に構成し、写真が現実の記録であるという前提そのものを揺さぶる。","cues":["構築された場面","小道具","映画的照明","意図的な人工性"],"intents":["反骨","高級","遊び"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"自然な記録に見せかける場合は、その演出が受け手に与える誤認や倫理的影響を考える。","colors":["#e4ddd2","#92705e","#2c2623"],"motif":"photo","pair":["pictorialism","surveillance"],"study":["Cindy Sherman","Jeff Wall","Thomas Demand"],"en":{"essence":"Composes scene, figure, props and light before the shutter, shaking the very premise that photographs record reality.","cues":["Constructed scenes","Props","Cinematic lighting","Deliberate artificiality"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"When passing as candid, weigh the misreadings and ethics the staging imposes on the audience.","study":["Cindy Sherman","Jeff Wall","Thomas Demand"]}}