{"id":"socialist-realism","no":468,"name":"Socialist Realism","ja":"社会主義リアリズム","era":"1932–1988","family":"国家と宣伝","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Socialist Realism","url":"https://www.tate.org.uk/art/art-terms/s/socialist-realism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/s/socialist-realism","credit":"Tate — Art Terms: Socialist Realism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Brodsky-lenin-1925.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Brodsky-lenin-1925.jpg","credit":"Isaak Brodsky によるレーニン像 1925 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Vladimir%20Lenin%201%20May%201920%20by%20Isaak%20Brodsky.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Vladimir%20Lenin%201%20May%201920%20by%20Isaak%20Brodsky.jpg","credit":"Isaak Brodsky《1920年5月1日のレーニン》— Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Lenin%20and%20manifistation%20by%20Isaak%20Brodsky%20(1919%2C%20GIM).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Lenin%20and%20manifistation%20by%20Isaak%20Brodsky%20(1919%2C%20GIM).jpg","credit":"Isaak Brodsky《レーニンとデモ》1919, 国立歴史博物館 — Wikimedia Commons / Public domain"}]},"essence":"1934年に国家の公式様式として定められた、労働者と指導者を理想化して描く写実。前衛の実験を退けて誰にでも読める図像へ統一し、低い視点、前進する群像、明るい未来の光で体制の物語を反復した。国家が様式を決めた稀な事例として重要。","cues":["英雄化された労働者像","仰角からの記念碑的構図","健康的な肌と明るい光","前進する群像"],"intents":["反骨","高級","信頼"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["constructivism","soviet-film-poster"],"study":["1934年ソビエト作家会議の決議","前衛の抑圧との関係","各国への輸出と変形"],"en":{"essence":"A realism codified as the state's official style in 1934, depicting workers and leaders in idealised form. It rejected avant-garde experiment in favour of imagery legible to everyone, repeating the regime's narrative through low viewpoints, forward-striding crowds and the light of a bright future. Important as a rare case in which a state decreed a style.","cues":["Heroicised figures of workers","Monumental compositions seen from below","Healthy skin and bright light","Crowds striding forward"],"works":["Critical or satirical design that quotes state-propaganda monumentality knowingly","Historical exhibitions and publications examining twentieth-century propaganda"],"recipe":{"type":"Heavy monumental capitals, often extended, set like inscriptions on a plinth","layout":"Low-angle, pyramidal compositions; figures massed and striding toward the light","material":"Naturalistic oil rendering, warm healthy flesh tones, red banners against bright skies"},"avoid":"Avoid deploying its heroic monumentality unframed—without critical distance the imagery simply reads as propaganda again.","study":["The resolution of the 1934 Soviet Writers' Congress","The relationship to the suppression of the avant-garde","Its export to other countries and the resulting variants"]}}