{"id":"slit-scan","no":202,"name":"Slit-Scan","ja":"スリットスキャン","era":"1968–","family":"映画技術","kind":"技法","collection":"Dictionary expansion 11","addedAt":"2026-08-18","source":{"title":"The 2001 Archive — The Special Effects of 2001","url":"https://2001archive.org/resources/the-special-effects-of-2001-a-space-odyssey/"},"reference":{"status":"verified","pageUrl":"https://2001archive.org/resources/the-special-effects-of-2001-a-space-odyssey/","credit":"The 2001 Archive — The Special Effects of 2001","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Stevemann%20selfportrait%20home-made%20slit-shutter%20camera1992.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Stevemann%20selfportrait%20home-made%20slit-shutter%20camera1992.png","credit":"スリットシャッターカメラによる自写像（Steve Mann, CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Keyboard%20eq1985.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Keyboard%20eq1985.png","credit":"スリットスキャン写真の実験 1985（CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bundesarchiv%20Bild%20183-S0702-0019%2C%20100m-Weltrekordlauf%20Marlies%20Oelsner%2C%20Zielfoto%20cropped.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bundesarchiv%20Bild%20183-S0702-0019%2C%20100m-Weltrekordlauf%20Marlies%20Oelsner%2C%20Zielfoto%20cropped.jpg","credit":"100m世界記録の写真判定（ゼールフォト）1977 — Wikimedia Commons / CC BY-SA 3.0 de"}]},"essence":"スリット越しの長時間露光でカメラか被写体を動かし、空間と時間を一枚の像に引き延ばす技法。『2001年宇宙の旅』のスターゲイトで映画史に刻まれた。","cues":["引き延ばされた光","無限に続く平面","時間の空間化","機械制御の露光"],"intents":["未来","高揚","技術"],"works":["宇宙や高速移動の主観を、実写の光だけで組み立てたいとき","番組タイトルで、無限に続くトンネルの感覚を数秒でつくるとき"],"recipe":{"type":"文字は面として抜き、光の帯と同じ方向へ引き伸ばす","layout":"消失点を画面中央に置き、対称の面で四方を囲む","material":"黒地に強い光源。露光時間で色と密度を決める"},"avoid":"引き伸ばしの見た目だけを後処理で足し、露光の連続性がないため縞が動きと無関係に滑る。","colors":["#fddb8f","#d9853b","#3a160f"],"motif":"motion","pair":["bullet-time","psychedelic"],"study":["ダグラス・トランブル","『Doctor Who』タイトル","写真判定カメラとの同根性"],"en":{"essence":"Long exposure through a slit while the camera or the subject moves, stretching space and time into a single image. The Stargate sequence of 2001: A Space Odyssey wrote it into film history.","cues":["Streaked light","Endless planes","Time turned into space","Machine-controlled exposure"],"works":["Building the subjectivity of space travel or high speed from photographed light","Title sequences that need the sense of an endless tunnel in seconds"],"recipe":{"type":"Cut letters as apertures and stretch them along the streaks","layout":"Vanishing point at center, wrapped on all sides by symmetrical planes","material":"Strong light on black, with exposure time setting color and density"},"avoid":"Adding the streak in post with no continuity of exposure behind it, so the bands slide independently of the motion they should describe.","study":["Douglas Trumbull","the Doctor Who titles","its kinship with photo-finish cameras"]},"links":{"page":"https://indexstyle.org/styles/slit-scan","json":"https://indexstyle.org/api/styles/slit-scan","designSpec":"https://indexstyle.org/styles/slit-scan/design.md","imagePrompt":"https://indexstyle.org/styles/slit-scan/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}