{"id":"situationist-graphics","no":429,"name":"Situationist Graphics","ja":"シチュアシオニスト・グラフィックス","era":"1957–1972","family":"社会運動と版画","kind":"レイアウト","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Situationist International","url":"https://www.tate.org.uk/art/art-terms/s/situationist-international"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/s/situationist-international","credit":"Tate — Art Terms: Situationist International","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Internationale%20situationniste%20n%C2%BA1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Internationale%20situationniste%20n%C2%BA1.jpg","credit":"雑誌『Internationale situationniste』第1号 1958 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Michele%20Bernstein.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Michele%20Bernstein.jpg","credit":"イヴァン・シュチェグロフ《ミシェル・ベルンシュタインの肖像》メタグラフィー 1963 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"既存の広告・漫画・映画の画像を奪い、吹き出しの文だけを差し替えて意味を反転させる転用（デトゥルヌマン）の実践。制作コストを払わずに支配的なイメージを内側から裏切る手つきは、以後のカルチャー・ジャミングとネットのミームまで直通している。","cues":["既存画像の流用と文の差し替え","漫画のコマと吹き出し","理論的な長文キャプション","粗い複写の質感"],"intents":["反骨"],"works":["広告や公式発表の主張を、その画像のまま裏返して批評するとき","資金も撮影もない状況で、既存の図版だけで冊子を作るとき"],"recipe":{"type":"吹き出しの文だけをタイプ打ちに差し替え、貼り込んだ跡を隠さない","layout":"漫画のコマや映画の場面の順を保ち、余白に長い理屈の注を流し込む","material":"複写を重ねた粗い階調のまま、安い紙に少部数で刷り、色は粗い一色だけ差す"},"avoid":"元の画像が誰の主張かを読者が知らなければ反転は成立せず、切り貼りに見える。仕上げを綺麗にすると、裏切るはずの画像の権威が戻る。","colors":["#cab07b","#9e4e45","#282626"],"motif":"graphic","pair":["atelier-populaire","punk"],"study":["デトゥルヌマンの定義","『アンテルナシオナル・シチュアシオニスト』誌","カルチャー・ジャミングへの継承"],"en":{"essence":"The practice of détournement: hijacking existing images from advertising, comics and film, and swapping only the speech-balloon text to invert their meaning. Its knack for betraying dominant imagery from the inside, at no production cost, runs in a straight line to later culture jamming and internet memes.","cues":["Appropriated images with replaced text","Comic panels and speech balloons","Long theoretical captions","The grain of rough reproduction"],"works":["Protest graphics and zines that turn corporate imagery against itself","Campaign teasers that hijack familiar visual clichés with rewritten captions"],"recipe":{"type":"Typewriter text pasted into the balloons over found imagery, the seam left visible","layout":"Keep recycled comic panels and film stills in sequence, running long theoretical notes into the margins","material":"Degraded photocopy halftones on cheap paper, short runs, at most one crude spot colour"},"avoid":"If the reader does not know whose claim the original image makes, the inversion fails and it reads as random collage. Polishing the production restores the authority the détournement should betray.","study":["The definition of détournement","The journal Internationale situationniste","The inheritance passed on to culture jamming"]},"links":{"page":"https://indexstyle.org/styles/situationist-graphics","json":"https://indexstyle.org/api/styles/situationist-graphics","designSpec":"https://indexstyle.org/styles/situationist-graphics/design.md","imagePrompt":"https://indexstyle.org/styles/situationist-graphics/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}