{"id":"situationist-graphics","no":470,"name":"Situationist Graphics","ja":"シチュアシオニスト・グラフィックス","era":"1957–1972","family":"社会運動と版画","kind":"レイアウト","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Situationist International","url":"https://www.tate.org.uk/art/art-terms/s/situationist-international"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/s/situationist-international","credit":"Tate — Art Terms: Situationist International","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Internationale%20situationniste%20n%C2%BA1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Internationale%20situationniste%20n%C2%BA1.jpg","credit":"雑誌『Internationale situationniste』第1号 1958 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/M%C3%A9moires%20Guy%20Debord.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:M%C3%A9moires%20Guy%20Debord.jpg","credit":"Guy Debord + Asger Jorn『Mémoires』1959 — Wikimedia Commons / Public domain"}]},"essence":"既存の広告・漫画・映画の画像を奪い、吹き出しの文だけを差し替えて意味を反転させる転用（デトゥルヌマン）の実践。制作コストを払わずに支配的なイメージを内側から裏切る手つきは、以後のカルチャー・ジャミングとネットのミームまで直通している。","cues":["既存画像の流用と文の差し替え","漫画のコマと吹き出し","理論的な長文キャプション","粗い複写の質感"],"intents":["反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["atelier-populaire","punk"],"study":["デトゥルヌマンの定義","『アンテルナシオナル・シチュアシオニスト』誌","カルチャー・ジャミングへの継承"],"en":{"essence":"The practice of détournement: hijacking existing images from advertising, comics and film, and swapping only the speech-balloon text to invert their meaning. Its knack for betraying dominant imagery from the inside, at no production cost, runs in a straight line to later culture jamming and internet memes.","cues":["Appropriated images with replaced text","Comic panels and speech balloons","Long theoretical captions","The grain of rough reproduction"],"works":["Protest graphics and zines that turn corporate imagery against itself","Campaign teasers that hijack familiar visual clichés with rewritten captions"],"recipe":{"type":"Typewriter text and pasted-in balloon lettering over found imagery","layout":"Recycled comic panels and film stills in sequence, with the captions doing the subversion","material":"Cheap photocopy grain, degraded halftones, black-and-white with occasional crude spot colour"},"avoid":"Avoid polishing the production—slick execution restores the authority of the very images the détournement is meant to betray.","study":["The definition of détournement","The journal Internationale situationniste","The inheritance passed on to culture jamming"]}}