{"id":"shin-hanga","no":267,"name":"Shin-Hanga","ja":"新版画","era":"1915–1960s","family":"日本の木版画","kind":"スタイル","collection":"Dictionary expansion 14","addedAt":"2026-08-18","source":{"title":"渡邊木版美術画舗（新版画の版元）","url":"http://www.hangasw.com/"},"reference":{"status":"verified","pageUrl":"http://www.hangasw.com/","credit":"渡邊木版美術画舗（新版画の版元）","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hasui%20Kawase%2C%20Shinagawa%2C%20%E5%B7%9D%E7%80%AC%E5%B7%B4%E6%B0%B4%2C%20%E5%93%81%E5%B7%9D.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hasui%20Kawase%2C%20Shinagawa%2C%20%E5%B7%9D%E7%80%AC%E5%B7%B4%E6%B0%B4%2C%20%E5%93%81%E5%B7%9D.jpg","credit":"川瀬巴水『品川』（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hasui%20Kawase%2C%20Evening%20at%20Tagonoura%2C%20%E5%B7%9D%E7%80%AC%E5%B7%B4%E6%B0%B4%2C%20%E7%94%B0%E5%AD%90%E3%81%AE%E6%B5%A6%E3%81%AE%E5%A4%95.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hasui%20Kawase%2C%20Evening%20at%20Tagonoura%2C%20%E5%B7%9D%E7%80%AC%E5%B7%B4%E6%B0%B4%2C%20%E7%94%B0%E5%AD%90%E3%81%AE%E6%B5%A6%E3%81%AE%E5%A4%95.jpg","credit":"巴水『田子の浦の夕』（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hashiguchi%20Goyo%20-%20Woman%20in%20Blue%20Combing%20Her%20Hair%20-%20Walters%2095880.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hashiguchi%20Goyo%20-%20Woman%20in%20Blue%20Combing%20Her%20Hair%20-%20Walters%2095880.jpg","credit":"橋口五葉《髪梳ける女》1920 — Wikimedia Commons / Public domain"}]},"essence":"版元・渡邊庄三郎が主導した木版画の復興運動。浮世絵の彫摺分業に西洋的な光と空気遠近を取り込み、巴水の夜景や雨景が「詩情ある日本」の像として海外で愛された。","cues":["夜と雨の詩情","西洋的な光の描写","彫摺分業の精度","旅情の風景"],"intents":["静けさ","懐かしさ","高級"],"works":["旅や宿の広告で、静かな情感を主役に据えた風景ビジュアル","限定版の版画集や、季節を扱う装丁と包装の絵柄の設計"],"recipe":{"type":"文字は画面外の余白か落款の位置に置き、絵の上に重ねない","layout":"水平線を低く取り、光源を一点に絞って手前を暗く沈める","material":"和紙にぼかしを重ね、雨線は別版で細く彫って摺り重ねる"},"avoid":"夜と雨の情緒だけを追いかけると、彫りと摺りの分業が支える階調の精度が出ず、絵柄の懐古だけが残る。","colors":["#e2dac8","#708b9f","#171d24"],"motif":"graphic","pair":["ukiyo-e","angura-poster"],"study":["渡邊庄三郎","川瀬巴水と吉田博","創作版画との対立軸"],"en":{"essence":"The woodblock revival led by publisher Watanabe Shōzaburō: ukiyo-e's carver-printer division joined to Western light and atmosphere. Hasui's nights and rains became the beloved image of a lyric Japan abroad.","cues":["The lyricism of night and rain","Western treatment of light","Precision of the carver-printer system","Landscapes of travel"],"works":["Travel and hospitality imagery built on quiet landscape feeling","Limited print editions and seasonal book covers or packaging"],"recipe":{"type":"Keep lettering out of the image, at the margin or the seal position","layout":"Low horizon, a single light source, the foreground sunk into dark","material":"Graded bokashi on washi, rain lines carved thin on a separate block"},"avoid":"Chasing only the mood of night and rain misses the tonal precision the carver and printer supply, and leaves nostalgia for a motif.","study":["Watanabe Shōzaburō","Kawase Hasui and Yoshida Hiroshi","the rivalry with sōsaku-hanga"]},"links":{"page":"https://indexstyle.org/styles/shin-hanga","json":"https://indexstyle.org/api/styles/shin-hanga","designSpec":"https://indexstyle.org/styles/shin-hanga/design.md","imagePrompt":"https://indexstyle.org/styles/shin-hanga/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}